That Was The Year That Was: It’s The Best Of 2018 Podcasts – Part 3 (Music)…

For our final Best Of 2018 podcast Ali, Chris Ward, Wesley Shearer, accompanied by our very own Young Father, Ian, discuss their favourite records of the year, and the best gigs of 2018. What do they choose? Well you’ll just have to listen to find out (although the tags at the bottom of this page give some clues), but we can say that there are a hell of a lot of winners, and nary a loser in sight as they decide that the year in music was a rather fine one.

You can still listen to our review of the best books of the year, with Vikki Reilly, and the review of the year in film, also with Chris & Wesley. And in the new year we can promise you even more special guests and discussion about all things cultural which are happening in and around Scotland, starting with the muscian and writer Beerjacket, (also sometimes known as Peter Kelly).

If you are new round these parts there is also quite a substantial number of previous SWH! podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

That’s yer whack of podcast fun for 2018, but we’ll be back in the new year with new guests to inform, entertain, and delight you.

Personal Space: The SWH! Podcast Talks To Vive-La-Rose’s David Luximon-Herbert…

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For the latest podcast Ali went through to Cabaret Voltaire in Edinburgh to talk to musician David Luximon-Herbert, better known as Vive-La-Rose, about his latest album For She Who Hangs The Moon, which is destined to be one of the best of 2018.

0013949348_10The two talk about the making of the record, influences, themes, tone, space, the expectations David has, and the critical reaction so far. Soulful, bittersweet, fragile, yet with a power that is undeniable – it’s an album which is clearly intensely personal yet also universal, reflecting on life, love, and regret, but with an eye to the hope the future holds.

In a recent review of the latest double A-side single ‘The Watchmaker’ and ‘Interior Rules’ SWH! said,  “For She Who Hangs The Moon is the perfect soundtrack for the wee small hours of the morning, when thoughts turn to times past, both good and bad.” Couldn’t have put it better myself. Continue reading

New Musical Success: A Review Of The Best In New Music…

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The nights may be drawing in but the (in-a-just-&-fair-world-they-would-be) hits keep coming. As we approach the time when, love them or hate them, sites such as this one start to contemplate compiling their end-of-year lists it’s important that the new music released in 2018’s latter months receives proper recognition and its due. It’s not just for Christmas, you know.

With that in mind we have a suitably reflective selection of songs, welcoming back old friends, and more recent ones. In fact everyone mentioned below has appeared in a previous SWH! music review at some point, and we make no apologies for that. A couple made their first appearance just last month, but with others we go back years. It all makes for a fine selection and collection of tunes, some of which will move you, and others which will make you move.

Are you sitting comfortably? Then let’s begin. The new single from The Eastern Swell has got me reminiscing hard. Look at the cover above. A child dressed as an astronaut, holding a Spacehopper (I believe taken from the cover of Andrew Crumey’s novel Sputnik Caledonia), the clock from Glasgow’s Tron Theatre, The Olympia Theatre in Bridgeton – it couldn’t be more nostalgic for Glaswegians of a certain age, and it gives you an idea of what awaits you when you put the needle on the record, or, in this case, press play.

It’s called ‘Down Again By Blackwaterside’, from the album Hand Rolled Halo, and it’s their take on, and re-imagining of, an often covered trad-folk ballad which influenced musicians from Bert Jansch through Led Zeppelin to Altan. The Eastern Swell’s version moves me for reasons I can’t quite comprehend, speaking to something deep-rooted in my cultural and musical memories. I think it’s to do with the traditional element – music from the land and of the land, story telling and song handed down through generations rather than heard on radio or TV.

Add to that the accompanying video which is reminiscent of, and may even be, an Eastern European children’s animation from my youth, and I get a kick of nostalgia writ large. Whatever the reasons it’s powerful stuff. After my first play I immediately shared the song with my brother. It is like finding an old holiday photo or childhood recording – something which can be enjoyed by everyone, but extra special to those with whom you shared those times. This is ‘Down Again By Blackwaterside’:

Continue reading

New Musical Success: A Review Of The Best In New Music…

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It’s been a hell of a year for Scottish music so far, with many, many great albums (from the likes of Zoe Bestel, Roberts/Skuse/McGuinness, Modern Studies, The Scottish Enlightenment, Kathryn Joseph, L-Space, The Gracious Losers, Carla J. Easton, Starry Skies, & I could go on) and with the promise of more on the way. There’s also been a fantastic SAY Awards, all of the incarnations of Rip It Up: The Story Of Scottish Pop (exhibition, book, radio, TV and podcast), and then there’s the recent announcement of the nominees for the SAMA Awards, which again show the depth and breadth of talent around.

Add to that some amazing live gigs and we can only reach the conclusion that we are in something of a Golden Age. The music you’re about to hear only makes that argument stronger. It’s a mixture of the new to SWH! and the welcome return of old favourites, just as it should be. There is diversity, style and craft on show – and an unshakeable sense that for most of them they are only just getting started. This is the story… Continue reading