The Good Word: Scots Whay Hae!’s 10 Best Books Of 2018 (+1)…

DSC_0809 2.jpgI know you’re bombarded with ‘Books Of The Year’ lists around this time, but we like to think that Scots Whay Hae!’s selection is one for the more discerning book lover. It’s a good old-fashioned Top-Ten, but, as with Nigel Tufnel’s amp, this one goes to 11. Which is one better…

These are the publications which stood out against the stiffest competition in 2018, consisting of four new novels, three short fiction collections, the conclusion of a soul music and civil rights trilogy, a book of spell poetry, a history of Scottish pop, plus our bonus entry – a re-issue of a modern Scottish classic.

They will transport you to Harlem, Lewis, Bangour, and post-war America, with detours to Orkney, the Scottish Borders, Edinburgh, Paris, Moscow past and present, and through the looking-glass, along the way. Taken as a whole they are a testament to the artistic diversity and cultural imagination at large in Scotland today and proof that Scottish writing is in fine fettle indeed. Need further convincing? Here’s what we thought at the time:

Olga Wotjas – Miss Blaine’s Prefect And The Golden Samovar

37795464Miss Blaine’s Prefect and the Golden Samovar is a crime novel for those people who think they don’t like crime novels. It is also a novel of manners, a comedy, a romance, (although not necessarily a romantic-comedy), and a work of science fiction. With so many influences at work, and genres juggled, it really shouldn’t work but it never falls down and Olga Wojtas should be praised for pulling such a feat off. I’m pretty sure I won’t read anything like it this year, unless it is ‘Miss Blaine’s Prefect’s’ next mission impossible, and I’m hoping that we won’t have to wait too long for that.

Miss Blaine’s Prefect And The Golden Samovar is published on the Contraband imprint of Saraband Books Continue reading

Black Magic: A Review Of Robin Robertson’s The Long Take…

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There are regularly heated discussions about the worth of prizes in art and culture. Recently announced, the Scottish Album of the Year longlist provoked debate about the worthiness not only of those on the list, but of the nature of the award itself as a very long, (and very strong), list of eligible albums was whittled down further to twenty by a chosen group of critics, journos, and others (of which I should declare that SWH! was one).

The arguments for are that the chosen records and musicians will benefit from the publicity, reach a greater audience as a result, and showcase the strength of Scottish music at the moment. Among the arguments against is that all such awards reduce art and culture to a competition, one which pits artists against each other, and which, at least according to one well-known and respected musician, can lead to anxiety and stress amongst those who find their music being judged in this way. Continue reading