This year we are recording three separate Best Of 2017 podcasts, one each for film, music, and books. For the first two, Ali and Ian are once again joined by irregular podcast guest and resident film expert Chris Ward, and Scottish music man & manager, Wesley Shearer.
In this, Part I, we concentrate on the films of 2017, and give you some recommendations. As usual, Ali kicks things off talking about his favourite Scottish films of the year, including T2: Trainspotting, Daphne, Benny, The End Of The Game, and Lost In France before Chris and Wesley widen the discussion to talk about the best films they have seen in the last 12 months. As well as their recommendations, they talk about the continuing success of the Glasgow Film Festival, the growing influence of streaming services, the possible threat to cinemas, and more. Continue reading
The sweat wis lashing oafy this boy. Was T2 Trainspotting a terrible idea, destined to disappoint and lessen the memory of seeing the original on its day of release in 1996, emerging blinking from a cinema thinking someone had made a film for me and mine? As soon as the credits roll, with Mark Renton pounding the virtual pavement of an Amsterdam running machine, interspersed with clips of Johan Cruyff showing that anything Archie Gemmill could do he could do better, it’s clear we are in safe hands.
This is a film which is an unashamed nostalgic experience for audience and cast alike, but it’s not wallowing – and it’s certainly not viewing that past through rose-tinted glasses. This is through a glass darkly, with old scores looking to be settled and many demons to be faced down. It’s rare for a film to hold a mirror up to its audience in this manner and ask them to take a good, hard look at themselves; who they are, who they were, and what they have done. Regrets? Too few to mention? If only. Continue reading