Janice Galloway’s Jellyfish, her recently published short story collection, feels like a call to arms on at least two fronts. In the Acknowledgements she states, “Publishers are shy of short stories in the here and now, shy like people are shy of three-legged puppies, which is to say they’d love to give them a home, but are nervous of their apparent handicap in that they are not novels.” It’s a theme she returned to while promoting the book. In interview with The Scotsman, she confesses, “I’m delighted to get this book published because nobody wants to publish short stories these days. Publishers always say to me, ‘what we’d really like is for you to get on with that novel you’re writing.” She is only partly correct in that in recent years some of the best new fiction has appeared in short story collections, but more often than not they are by new and unknown writers and are published by small, independent publishers. In that sense, with Freight Books, she has found the perfect home.
It’s something she acknowledges when describing herself as “hugely grateful to Adrian Searle at Freight for taking them on…”. Recently Freight have been responsible for memorable collections from Anneliese Mackintosh (Any Other Mouth), Vicki Jarrett (The Way Out) and Rodge Glass (Lovesextravelmusic). Other notable recent collections include Kirsty Logan’s The Rental Heart And Other Fairytales, published by Salt, and Allan Wilson’s Wasted In Love by Cargo Publishing. But the fact that my list is so short suggests Galloway’s complaint is a valid one. It was not always this way.
Where Galloway is undoubtedly correct is that the short story is a form which is currently largely overlooked by the more established publishers. At the end of the last century, and concentrating on Scotland, James Kelman’s short story collections were regularly published and contain arguably his greatest work. Lanark and 1982, Janine aside, the same could be said of Alasdair Gray. Their contemporary and friend Agnes Owens’ short stories are some of the best examples you will read anywhere and from anytime (get a copy of Lean Tales to read some great examples from all three – it might just change your life). The next generation of Scottish writers were also well served, with A.L. Kennedy and Ali Smith (whose latest collection Public Library & Other Stories is also out now) both publishing memorable short stories in a number of collections in the ’90s and early noughties. They were not seen as lesser books, just great writers’ fiction presented in a shorter form.