The Talk On The Street: The SWH! Podcast Talks To Jemma Neville…

For the latest SWH! podcast Ali headed to Edinburgh to chat to writer Jemma Neville all about Constitution Street: finding hope in an age of anxiety (published by 404 Ink), her fascinating and inspirational book which SWH! described as, “a socio-political work with humanity at its heart, and a timely reminder that there is more that unites than divides us.”

Talking in the welcoming surroundings of The Hideout Cafe (below) on the very street itself the two discuss the ethos behind the book, the way it is structured, and how both are reflected and inspired by the place and the people who live and work on Edinburgh’s Constitution Street.

Jemma talks about what prompted her to write this book, the importance of the United Nations Universal Declaration of Human Rights, the responses of her interviewees, how an area can change but still retain an identity, the importance of communal spaces for meeting and more, how the issues and themes of Constitution Street relate to communities of any size and place, and a whole lot more. You’ll never look at your own locale in the same way again.

This podcast is the perfect partner to the book, expanding on some of its themes, but by no means all and the best thing you can do is to discover that for yourself. To convince you further you can read the full SWH! review of Constitution Street here.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, with Spotify, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

The Scottish Opera Interviews #7: Resident Stage Manager, John Duncan…

John Duncan backstage at The Magic Flute in Glasgow’s Theatre Royal

For the latest in our series of podcasts in conjunction with Scottish Opera we spoke to John Duncan, the company’s Resident Stage Manager. Over the course of the conversation he provides a fascinating insight into a role which is vital to all theatre, but which rarely gets discussed.

Recorded backstage at Glasgow’s Theatre Royal (so beware the passing fire engine) John talks about how he initially fell in love with the theatre, his early years in the role, how the team dynamic works, the different productions he has worked on, the challenges he has faced over the years, a horse named George, and much more. If you have ever wondered what goes on behind the curtain then John has many of the answers.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, with Spotify, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will with you in November.
In the meantime you can find all The Scottish Opera Podcasts in one handy place.

Cosmic Entities: A Review Of Amadeus & The Bard…

In the fourth of our Scottish Opera podcasts we spoke to the Director of Education & Outreach, Jane Davidson who explained the ways SO reach out to all areas of Scotland, and work with all age groups. The latest example of this in practice was Amadeus & the Bard: 18th Century Cosmic Brothers which has just finished a tour some of the High Schools, Academies and museums of Scotland before ending its run in Glasgow.

The final shows were held in Scottish Opera’s Edington Street building, which has a wonderful performance space. The Bard in question is Robert Burns, and he was well represented in body as well as spirit at the performance SWH! attended with at least one fellow national Makar, as well as an actor best known for his portrayal of Burns, in the crowd. They were part of an audience whose aged ranged across the generations, and who were immediately involved with the show, greeted at the door by the players themselves with wonderful musical accompaniment. This, as Burns would have wanted it, was a performance where all were made welcome.

As the title suggests, this was a tale of two geniuses, Burns and Mozart, affectionately referred to as Rabbie and Wolfie. To distinguish them on stage a simple but effective wardrobe technique was applied, with a green coat for Mozart, and a blue one for Burns. The two were compared and contrasted, but it was the similarities of their lives which were the main focus, with Rabbie’s words and Wolfie’s music interweaved throughout.

Born three years apart, both died in their mid-thirties, they achieved fame, if not fortune, for their music (Mozart) and their words (Burns), and are more celebrated today than they had been in their all-too-brief lives. Staged in the convivial setting of Burns’ favourite boozer Poosie Nansie’s, the regulars tell tales of the two men’s lives, loves, and losses – referencing their most famous work as they do so. As matters progress the two stories are brought closer together, until a mash-up of Don Giovanni and ‘Tam O’Shanter’ proves a supernatural and devilish highlight, before a rousing ‘A Man’s A Man For A’ That’ brings matters to a suitable and moving conclusion with the audience joining in.

With their eagerly-awaited production of Puccini’s Tosca beginning this Wednesday, Amadeus & the Bard: 18th Century Cosmic Brothers was a reminder that while Scottish Opera is rightly known for its spectacular, large-scale productions the work they do on a smaller scale, all around the country, should be acknowledged and supported, and on this showing, and the reaction to the current ‘Opera Highlights Tour‘ (SWH! review here), they are rightly receiving both.

The Scottish Opera Interviews #6: Staff Director, Roxana Haines

Roxana Haines. © Julie Broadfoot – http://www.juliebee.co.uk

For the sixth in our series of podcasts in conjunction with Scottish Opera Ali spoke to Staff Director, Roxana Haines. It’s a fascinating and informative discussion with someone whose job brings her into contact and collaboration with most areas of the company.

Roxana explains her professional journey, her training in theatre and how that translates to the specific demands of opera, her role in terms of productions and the challenges that different ones bring – with particular reference to the current ‘Opera Highlights Tour‘ and the opera for young children ‘Fox-tot!‘ – and a lot more.

Through it all her enthusiasm and love for what she does shines through, and we hope you enjoy listening to the conversation as much as we did recording it.

Roxana with the cast of Fox-tot!

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, with Spotify, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will with you in November.
In the meantime you can find all The Scottish Opera Podcasts in one handy place.

The Alternative View: The Scots Whay Hae! Podcast Talks To Richy Muirhead…

For the latest podcast Ali caught up with Richy Muirhead, the founder and creative director of the Scottish Alternative Music Awards (SAMAs) which is celebrating its 10th year. It’s a timely conversation as this year’s nominees have just been announced, and Richy reveals who they are and what awards they are up for.

What follows is a fascinating chat which covers the origins and history of the SAMAs, an explanation of the criteria, the categories, this year’s nominees, notable previous winners, building partnerships, the importance of the live show (this year on October 25th, St Luke’s, Glasgow), and lots more.

There are also 5 tracks from some of last year’s winners, including Declan West and the Decadent West (Rock/Alternative), Lylo (Live Act), The Dunts (Newcomer), Solareye (Hip Hop), and Megan Airlie (Acoustic). Ali also offers the point of view from a SAMAs nominator, so hopefully you’ll end up with a better understanding not only of how the awards work, but also the aims and ideology behind them.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, with Spotify, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

The Scottish Opera Interviews #5: Head of Props, Marian Colquhoun

For the fifth in our series of podcasts with members of Scottish Opera we spoke to Marian Colquhoun, the Head of Props. If you have ever been to a Scottish Opera performance, no matter the scale of the production, you’ll know what an integral, important, and creative part the props department have to play.

Marian discusses her approach to the role, the collaboration with other departments, the joy in creating memorable moments, the demands of different productions, the practicalities and problem solving involved, and the culture of prop making in Scotland and beyond. It’s a fascinating insight into an area of the arts that is rarely discussed but which is crucial to opera, theatre, film, and beyond.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of Scots Whay Hae! podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will be out in late October.

In the meantime you can find all The Scottish Opera Podcasts in one handy place.

The Scottish Opera Interviews #3: Programme Editor, David Kettle

For the third of our series of podcasts with members of Scottish Opera we spoke to the Programme Editor, David Kettle about his role and what it entails. He explains how he came to the job, the approach to writing a programme, the balance required between information and other articles and content, the collaboration required with the rest of the company, and much more.

If you have ever wondered, or even if you haven’t, how Scottish Opera’s beautiful programmes are put together then your questions are answered here. Below are just three examples that David has been involved with.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will be out in late August.

You can find all The Scottish Opera Podcasts in one handy place.

Melody Makers: The SWH! Podcast Talks To Half Formed Things…

Cover for ‘To Live In The Flicker’, credit – Louise McLachlan

For the latest podcast Ali went to Edinburgh to talk to Edwin McLachlan and Morgan Hosking, two members of Half Formed Things (unapologetically one of SWH!’s favourite bands). They talk about their astonishing album To Live In The Flicker, the origins of the band, what it’s like to work with close friends and family, the importance or otherwise of place, their shared philosophy, themes, influences, and a whole lot more.

Half Formed Things – (l-r, Morgan, Matthew, Nici, Edwin), credit – Louise McLachlan

You’ll also get two tracks from the album which will give you a clear idea as to just how good it is. And if the other two members of the band, Nici Hosking and Matthew Bakewell, disagree with any of what was said we are more than willing to record a follow up to give their side of the story! If you are interested in making music, or in how music is made, then this is a must listen, and one of the most in-depth and interesting podcasts to date.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Here’s an extract from SWH!’s review of To Live In The Flicker,
“From the opening ‘Flicker’ to the closing ‘The Calm’ you are taken to another place by a soundtrack which makes your head swim – with instruments being used for different purposes – drums and cymbals take the lead, piano riffs keep the rhythm, and harmonies (oh, the harmonies!) becoming an instrument all of their own.”
And you can read the full review here.

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

The Scottish Opera Interviews #2: Head Of Music, Derek Clark

For the second of our series of podcasts with members of Scottish Opera we spoke to the Head of Music, Derek Clark about his role and what the job entails. Derek talks about the how he came to the job, how it has changed over the years, and how it is essential to Scottish Opera.

He discusses programming, collaboration, and the difference between approaching contemporary work and the classics. It’s a fascinating insight into the working life of someone central to Scottish Opera and their productions.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will be with Programme Editor David Kettle and it will be out in late July…

You can find all The Scottish Opera Podcasts in one handy place.

Fiercely Independent: The SWH! Podcast Talks To Ringwood Publishing…

For the latest SWH! podcast Ali spoke to Chief Executive of Ringwood Publishing Sandy Jamieson, one of their authors Dr Anne Pettigrew, and their Assistant Managing Director Laure Camail. Celebrating their 20th birthday this year, Glasgow’s Ringwood show that it is possible to publish and survive in a city which has notoriously had problems sustaining and maintaining a publishing culture in recent years.

The panel discuss the reasons for starting Ringwood, their co-operative business model and how that has evolved, Anne’s novel Not The Life Imagined and the publishing process from the writer’s point of view, how Ringwood has had to adapt to the changes in the marketplace, and their plans for the future.

With their focus on publishing and supporting first time authors, and a willingness to address the themes of “politics, football, religion, money, sex and crime”, they are an independent publisher with a strong idea of who they are, and what they do. We’re saying this is a must listen for anyone interested in publishing as the talk offers rare and honest insight, touching on many practical aspects of the process, both positive and negative.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

You can follow Ringwood on Twitter, Facebook, and Instagram.

The next podcast will be the second in association with Scottish Opera and it will be with you very soon…