For our Review of the year in Scottish writing and all things bookish Ali was once again joined by Booky Vikki herself, Publishing Scotland’s Vikki Reilly, to discuss their favourite books of the year and the state of Scottish writing and publishing. While doing so they try to identify the themes and trends of the last 12 months, look into what’s coming in the new year, forget the names of things (mostly Ali, to be fair), talk music, “Mayhem”, and explain why 2018 belonged to Muriel. It was quite the year and hopefully we go some way to summing it up and rounding it off for you.
The podcast is the perfect companion piece to our earlier post ‘The Good Word: Scots Whay Hae!’s 10 Best Books Of 2018 (+1)…’ (see right), where you’ll be able to link to reviews of many of the books and writers that Vikki and Ali discuss. There’s a lot of love for writers and publishers alike, and although we didn’t manage to cover it all, we hope you’ll find something to pique your interest. Continue reading
In our recent podcast with Helen McClory the subject of literary fiction, and what makes it so special, arose. You can still hear the full discussion by listening here, but a brief summary of the conclusion of the conversation is that it is in literary fiction where the human condition is best explored, and more fully understood, with a depth and resonance which is almost impossible in other art forms where such exploration is more fleeting. You may disagree with that assertion, but when it works at its best literature inspects shared human experience and gives us a better understanding of what that means.
Alison Moore’s latest novel Missing fulfils the above criteria, and proves to be an iron fist in a velvet glove. Told in an apparently straightforward and deceptively modest manner, the emotional punch it delivers is all the more significant because of it. The best writers never allow style to overcome substance. Even those who experiment with the form, such as Joyce with Ulysses, or Gray with Lanark, are looking at what it means to be human, to live. Jessie Noon is living her late 40s in the Scottish Borders with her cat, dog, a large collection of books, and possibly a ghost. But Jessie is haunted more by her past rather than what resides in the spare room, and her inability to come to terms with that past is apparently preventing her from moving forward. However, Moore understands that life is rarely that straightforward. Continue reading
Les Liaisons Dangereuses, The Portrait Of A Lady, Oscar And Lucinda, Bonjour Tristesse – the best novels concerned with the complexity of relationships are those which refuse to bow to sentiment, and often are more concerned with puncturing the idea or ideal of love and romance than living up to it. Lesley Glaister’s latest novel The Squeeze takes this approach with honesty and searing insight and in doing so examines the effect of those opposing forces of passion and reason, the desires that drive us to get together and the justifications made for staying together. The Squeeze could be considered an anti-romantic novel, and that’s what makes it compelling.
It certainly doesn’t pull its punches when detailing what humans are capable of. Mostly set in Edinburgh, 1989-92, it opens with a short chapter from ‘Alis’ (the chapters are named after the characters who narrate them). It’s half a page which nonetheless sets the tone for what is to follow as it posits the dangers of dreaming when set against the harsh reality of some people’s lives. Continue reading
A new Ron Butlin novel is always eagerly awaited, so his latest, Billionaires’ Banquet, is most welcome. Described on the cover as “An immorality tale for the 21st century”, it sees Edinburgh’s ex-Makar at his most playful and devilish, looking once more at human nature and finding it fatally flawed, but not without hope. You just have to look hard to find it.
For those whose reading habits include philosophy as well as literature this novel is a joy from start to finish as Butlin name checks, among others, Seneca, Plato, Kant, Hume, Nietzsche, Wittgenstein and Bertrand Russell. His central character is also called Hume, a philosophy student who uses what he learns to make points and win arguments. Those named provide aphorisms to help him through his early life, but this is not a modern take on Sophie’s World; quite the opposite as no lessons are learned despite Hume’s education, or if they are they’re soon forgotten. Continue reading