For the latest podcast Ali headed to Glasgow’s Tron Theatre to talk to poet and polymath Kevin P. Gilday about his Edinburgh Fringe show ‘Suffering From Scottishness‘, his new collection of poetry ‘Sad Songs For White Boys‘ (right), his work with Cat Hepburn as the instigators and organisers of spoken word house party Sonnet Youth, his band Kevin P. Gilday & the Glasgow Cross, and a whole lot more.
It’s a fascinating chat, one which, when taken as a whole, is an instructive insight into what it takes to make your living as an artist today. All that and Kevin reads his poetry as well – we always aim to please!
If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so).
You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud…
..or on YouTube:
The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.
There are regularly heated discussions about the worth of prizes in art and culture. Recently announced, the Scottish Album of the Year longlist provoked debate about the worthiness not only of those on the list, but of the nature of the award itself as a very long, (and very strong), list of eligible albums was whittled down further to twenty by a chosen group of critics, journos, and others (of which I should declare that SWH! was one).
The arguments for are that the chosen records and musicians will benefit from the publicity, reach a greater audience as a result, and showcase the strength of Scottish music at the moment. Among the arguments against is that all such awards reduce art and culture to a competition, one which pits artists against each other, and which, at least according to one well-known and respected musician, can lead to anxiety and stress amongst those who find their music being judged in this way. Continue reading
For 10 days in March there is only one place to be as Glasgow’s Aye Write! takes up its annual residency in the Mitchell Library between 9th-19th to cement its reputation as one of the best book festivals around. Pedants will point out that there are also events at the CCA, Kelvin Hall and Royal Concert Hall, but it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in this city.
Here are a few selected highlights to give you something to think about, but you can peruse the full programme at your leisure here. They are all at the Mitchell unless stated otherwise. Continue reading
After a year off, the Scots Whay Hae! annual Burnscast returns in style with Ali & Ian joined by our very own Dr Ronnie Young to talk all things Rabbie once more. This year the structure is dictated by the Futurelearn on-line course, Robert Burns: Poets, Songs & Legacy, which is open to all, and is entirely free. You can hear all about it on the podcast, but further details can be found here, and you can listen to the accompanying Spotify playlist here – the perfect soundtrack to your Burns Night celebrations.