It’s the time for ‘Books Of The Year’ lists and we like to think that Scots Whay Hae!’s selection for 2016, while small, is beautifully formed and well worthy of your attention.
These are the books which stood out against a lot of stiff and perhaps better known competition. The list could have been longer but we like to stick to a traditional Top Ten. Consisting mostly of novels, with one remarkable collection of short stories, and one unforgettable musical (auto)biography, these are the books which have left their mark. Here’s what we thought at the time:
Young Soul Rebels – Stuart Cosgrove
Stuart Cosgrove writes as he broadcasts – eloquently, forcefully and at pace, and as such he makes persuasive and forceful arguments. If you have a music fan in your life, then I would suggest this book is the perfect gift. If they are a soul fan, then it is a must. Anyone who has ever pored over liner notes, obsessed over b-sides, searched out limited editions and rarities, or cued hours for tickets or entry will recognise themselves at least in part on the page, no matter what their musical tastes. Stuart Cosgrove is here to remind you that while music may not be a matter of life and death (and there are poignant reminders of that in Young Soul Rebels) it certainly makes the former worth living. Continue reading
*You can listen to P.K. Lynch talking about Armadillos on the Scots Whay Hae! Podcast by clicking here…
In our recent podcast with novelist Iain Maloney we spoke about a writer’s responsibility when tackling certain subjects. In Maloney’s case, his novel The Waves Burn Bright deals with events surrounding the Piper Alpha North Sea Oil Platform tragedy, and he talked about the importance of making sure his research was thorough and his prose unsensational so as to avoid any possible accusations of exploitation or disrespect.
It’s something that James Robertson and Kirstin Innes have also spoken to us about with reference to their novels The Professor Of Truth and Fishnet, books which examine the Lockerbie bombing and the sex industry respectively. Writers have a responsibility to their subject as well as their readers, and with some subjects that responsibility should be taken very seriously indeed. It’s a difficult balancing act to pull off, to tell an engaging story while respecting those who you are wishing to draw attention to, but when a writer gets it right it can be far more affecting than any mere reportage or documentary.
Armadillos is the story of 15-year-old Texan Aggie, who is described as “a ‘sub’ from a ‘sub’ family”, which means she is at the bottom of a food chain where food is scarce to begin with. Literary theorist Antonio Gramsci used the term ‘subaltern’ to refer to those who belonged to groups of people denied power and wealth by the ruling classes. They are those who struggle to have their voices heard, so often cease trying. If you are considered a ‘sub’ within such a group, then in common parlance you are viewed within, and often without, that group as the ‘lowest of the low’. Continue reading