On The Road Again: A Review Of Scottish Opera’s 2019 Autumn Highlights…

The Scottish Opera Highlights tour has quickly become an annual musical must-see. Taking opera around the country, this season they go from Motherwell to Musselburgh with multiple stops in-between. This was the opening night at Motherwell Theatre and it had a lot to live up to as previous tours have been notable and memorable events. It clear from the get-go that there was no need for concern as this set of highlights may just be the most magical yet.

From the beginning, with the singers emerging from among us, there was a real connection between the stage and audience which remained throughout. The premise of the show was one familiar to any Agatha Christie fan, with invited guests turning up at an event with no host to be found. The cast construct the set as they go, lending the performance a real sense of “let’s do the show right here”, but there’s nothing amatuer about what follows.

As any one who has been to an Opera Highlights show before will know, the premise is a simple one with four of the company’s finest singers, accompanied by piano, performing scenes from a variety of operas, this time united loosely under common themes of love and nature. At the beginning there is a sense of strong sense of fun and farce about proceedings, ‘A Midsummer Night’s Dream’ meets Moliere – a comedy of errors with lovers mistaken for others, and practical jokes gone wrong.

But as events unfold the comedy is interspersed with more serious meditations on love, and even obsession. The wonderfully varied programme features the work of Mozart, Handel, Britten, Vaughan Williams and Gilbert & Sullivan, as well as less well-known names such as Mildred Jessup, Leo Delibes, Carlisle Floyd and Aaron Copland, and there is also new work from Scottish Opera’s Composer in Residence Samuel Bordoli.

Soprano Charlie Drummond, Mezzo-soprano Martha Jones, Tenor Alex Bevan & Baritone Mark Nathan work beautifully together, prompting laughs and tears in all the right places. Proving themselves to be as talented actors as they are singers, they played each scene to perfection. It is rare to see performers so clearly enjoying what they do as was evident on this night, and the audience responded in kind. It would be wrong to single any individual out as this was a truly ensemble performance, although it should be said that Alex Bevan gives good horse!

If you haven’t yet been to one of these nights then I can’t recommend it highly enough. If you already love opera than it’s a chance to sit through an evening of some of your favourites as well as discovering something new. If you think opera isn’t your cup of tea then this is the perfect place to discover that it is. You have nothing to lose and a whole new world to discover. Check out all the details at the Scottish Opera website to find out when they are coming to a venue near you. If you’re a music lover then I can’t think of a better way to spend two hours.

Here are some images from the show:

Scottish Opera 2019 Autumn Highlights © Julie Broadfoot – http://www.juliebee.co.uk

You can listen to our ongoing series of podcasts which are interviews with members of Scottish Opera discussing and explaining their roles in the company – Scottish Opera Podcasts.

The Best Of All Possible Worlds: A Review Of Scottish Opera’s Highlights Tour 2019…

Touring to 18 venues across Scotland

Over the last few years Scottish Opera has been taking to the highways and byways of Scotland bringing their Opera Highlights Tour to villages and towns, schools halls, community centres, and local theatres across the country. It’s a deceptively simple premise with four singers and a piano presenting various highlights from a wide range of operas framed around one uniting premise.

This time around Musical Director and pianist Elizabeth Rowe is joined by mezzo-soprano Heather Ireson, soprano Lucy Anderson, baritone Harry Thatcher and tenor Tom Smith.  From Handel’s Rodelinda (1725) to Jonathan Dove’s Flight (1998) and visiting, among others, Mozart, Bizet, Wagner, Handel, Gilbert & Sullivan, and Gershwin & Weill along the way, they present a wide range of styles and themes which give a wonderfully diverse overview of what opera has to offer.

Scots Whay Hae! were at the Cumbernauld Theatre for the latest stop on 2019’s tour. Having seen the last three tours there were no doubts it would be a memorable evening, and that was proved right. The setlist this time around is built on the idea of the picaresque novel. The episodic structure of that format, and it’s often satirical content, is perfect for such a show allowing the leitmotifs of heroes, villains, love, longing and loss to come to the fore, and the cast revel in them.

A particular treat for audiences on such nights is to be so up close and personal with the performers, able to see and appreciate ever smile, smirk, and sideways glance much better than you could ever do in a larger space, which worked particularly well for the more comedic moments. What you also get is the full power of these incredible trained and professional voices. They are impressive enough when on their own, or in duet, but when all four work together, as in the ‘Garden Scene’ from Benjamin Britten’s Gloriana, or the opening ‘The Best Of All Possible Worlds’ from Leonard Bernstein’s adaptation of Voltaire’s Candide, then the effect is visceral and wonderful.

Indeed it is ‘Candide’, arguably the quintessential picaresque novella, that seemed to infuse the spirit of the whole evening. Published in 1759, and written to satirise the central optimistic/naive tenet of the 17th century philosopher Leibniz, (paraphrased in the words of Candide’s teacher and mentor ‘Dr Pangloss’ that, “everything is for the best in this best of all possible worlds”), its arguments against such a quixotic attitude are as relevant today as they are in any time of turmoil. With poignant references to the modern world director Sara Brodie makes sure that the spirit of Voltaire runs throughout.

Below are some pictures of the production, as well as the future dates of the tour with links as to where you can buy tickets. Don’t miss out…

With thanks to Scottish Opera for the images – Credit to Sally Jubb

Tour Dates:
Craignish Village Hall, ARDFERN, Tue 12 Feb BOOK TICKETS

Northbay Hall, ISLE OF BARRA, Thu 14 Feb BOOK TICKETS

Liniclate School, BENBECULA, Sat 16 Feb BOOK TICKETS

Tarbert Community Centre, ISLE OF HARRIS, Tue 19 Feb BOOK TICKETS

Community Hall, GAIRLOCH, Thu 21 Feb BOOK TICKETS

Community Hall, ARDROSS, Sat 23 Feb BOOK TICKETS

Volunteer Hall, DUNS, Tue 26 Feb BOOK TICKETS

Blairgowrie Town Hall, BLAIRGOWRIE, Thu 28 Feb BOOK TICKETS


Village Hall, DURNESS, Tue 5 Mar BOOK TICKETS

Deeside Theatre, ABOYNE, Sat 9 Mar BOOK TICKETS

Boat of Garten Community Hall, BOAT OF GARTEN, Thu 7 Mar

Whiting Bay Village Hall, WHITING BAY, Tue 12 Mar BOOK TICKETS

Victoria Hall, DUNBLANE, Thu 14 Mar BOOK TICKETS

The Wynd Auditorium, PAISLEY, Sat 16 Mar BOOK TICKETS

Tour De Force: A Review Of Scottish Opera’s Opera Highlights…


For the last few years Scottish Opera have been taking to the highways and byways of Scotland with their Opera Highlights show. Last night was the premiere of the 2018 show, and it’s safe to say that they have surpassed themselves, with director Daisy Evans putting together the perfect programme to introduce opera to those who may not be familiar with the genre, while keeping the die-hard fans happy – and how.

The structure could not have been more suitable. A lone woman (non-singing actor Hannah Birkin) sits on stage at her laptop as the audience enter. The music began with an eclectic and entertaining run through a selection of tunes played by Jonathon Swinard, the show’s musical director. Then the four singers arrived, dressed unmistakably in the individual colours of the Google sign. They take the mystery woman, and the audience, through a tour de force of opera, answering, as they go, the most commonly asked questions by those for whom the ways of opera are a mystery. Continue reading

Singing On The Train: A Review Of Four Singers & A Pianist – Scottish Opera’s Highlights Show…

Scottish Opera is hitting the rails, and they’ll be doing so at a venue near you from 16th Feb – 18th Mar, traversing the Borders to the Highlands and Islands, and moving from the west coast to the east. The show is Four Singers & A Pianist and it is their annual Highlights show which has gained a reputation for being an essential event for music lovers.

Having been lucky enough to be in attendance at Easterhouse’s Platform for their first night I can confirm that this reputation will only be enhanced this year. The structure of the show is that four singers are on a train about to undertake a tour of Scotland, visiting the lesser visited corners of the country to spread the word and the music, when problems beset them. Taking classic and lesser known works, they weave them together to show off not only the breadth of music opera has to offer, but also allowing the performers’ to shine. Continue reading