That Was The Year That Was: It’s The Best Of 2018 Podcasts – Part 3 (Music)…

For our final Best Of 2018 podcast Ali, Chris Ward, Wesley Shearer, accompanied by our very own Young Father, Ian, discuss their favourite records of the year, and the best gigs of 2018. What do they choose? Well you’ll just have to listen to find out (although the tags at the bottom of this page give some clues), but we can say that there are a hell of a lot of winners, and nary a loser in sight as they decide that the year in music was a rather fine one.

You can still listen to our review of the best books of the year, with Vikki Reilly, and the review of the year in film, also with Chris & Wesley. And in the new year we can promise you even more special guests and discussion about all things cultural which are happening in and around Scotland, starting with the muscian and writer Beerjacket, (also sometimes known as Peter Kelly).

If you are new round these parts there is also quite a substantial number of previous SWH! podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

That’s yer whack of podcast fun for 2018, but we’ll be back in the new year with new guests to inform, entertain, and delight you.

The Tracks Of My Year: SWH!’s 10 Best Songs Of 2018…

a4136536009_101Without a doubt 2018 was a year of exceptional albums from start to finish, from such as The Gracious Losers, Starry Skies, Modern Studies, The Scottish Enlightenment, Carla J. Easton, L-Space, Kirsty Law, C.S. Buchan & Friends, Roberts/Skuse/McGuinness, Zoe Bestel, Kathryn Joseph, Aidan Moffat and R.M Hubbert, Vive La Rose, Errant Boy, and many more (some of which have tracks which feature below). Here’s hoping for a similar high quality return in 2019.

But before we get ahead of ourselves – if you can fit in one more ‘Best Of The Year’ list, small but perfectly formed, this is our annual choice of the 10 best songs reviewed on these pages over the last 12 months. As ever, it’s a list which focuses on individual tracks, but if you like what you hear you should investigate further as most of them are to be found on equally awesome albums or EPs.

That’s enough preamble – here’s the countdown, listed in order of their date of release, and what we thought about them at the time, with a few relevant updates…

Carla J. Easton – Lights In The Dark

Carla J. Easton has made music as a member of Teen Canteen, under the name of Ette, and on multiple other collaborations. In 2018 she released the album Impossible Stuff under her own name which made it clear that no matter the moniker it is business as usual as Easton continues to prove she is incapable of making music which is anything other than magical. Exhibit A is ‘Lights In The Dark’, and it is a moody and mature slice of electro pop which shows others just how this sort of thing should be done. Carla J. Easton deserves to reach the widest audience possible and this could be the song to do just that. Take a listen and see if you agree:

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New Musical Success: A Review Of The Best In New Music…

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A recent visit to the National Museum of Scotland’s Rip It Up: The Story Of Scottish Pop exhibition was a reminder, as if one were needed, that Scotland’s pop music heritage is deep and wide and tall. It’s a must visit for anyone interested in music, and it is also the place where you can pick up a copy of Vic Galloway’s book of the same name (a review of which will appear on these pages shortly).

But, as nice as it is to look back, these reviews are all about the here and now – and what, and who, you are about to hear prove that while the past may be memorable, the present is pretty darn good as well. We start with bands new to Scots Whay Hae! before the return of some firm favourites, and finish with a new release from one of the best records of 2018. It’s a summer soundtrack which is lazy, hazy, and little bit crazy, but, hey, don’t we all just love that?

The music man himself, Warren McIntyre of Starry Skies fame, asked SWH! to host one of his legendary Seven Song Club nights at The Tron Theatre last month. It was an honour to do so, and as usual it proved to be a memorable occasion with singer/songwriter Lynnie Carson, the fabulous Xan Tyler, and an acoustic set from The Whispering Pines. The latter have just released their album, A Reminder. It’s an impressive and assured record made by muscians who know what they’re doing, boasting a mix of styles while always remaining distinctly original.

There are beautiful harmonies and melodies, some lovely drumming, and good old-fashioned lead guitar – unfairly maligned these days. Moving from the quietly contemplative to epic and back again, it’s the sound of a band who don’t just love playing together, but who love playing together well, with Barrie Neilson’s plaintive, almost world-weary, vocals lifting the music to another level. If you’re looking for comparisons, I’ll give you The Bible, The Bathers, Grant Lee Buffalo, and Matthew Sweet to start – the classiest of company I think you’ll agree. From A Reminder, this is ‘Snow’:

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New Musical Success: A Review Of The Best In New Music…

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Most of our music reviews are a mixed bag when it comes to style and content, but the one you are about to experience definitely has a theme. It features great singers and great songs – deceptively simple yet they are all the more powerful for the manner they are produced and presented. This is music which stays with you longer after the last note sounds. Put simply, all of the people you are about to hear – they mean it, man.

Stay on till the end for a bonus track which is a fitting conclusion to this review. It’s not just thrown together, you know…

Alasdair Roberts has featured on these pages many times before, either for one of his many solo projects or in collaboration with others, such as with Ross Whyte, and The Furrow Collective. The latest of the latter sees him alongside composer Amble Skuse and Concerto Caledonia head-honcho David McGuinness for the album What News which the three played in full at the launch at Glasgow’s Glad Cafe. Roberts is known for staying faithful to the folk traditions, but this latest record, with McGuinness’s wonderful piano and Skuse’s understated electronica, breathes new life into old songs.

To my untutored ear, there is something about the loops of all three which works together beautifully – the structure and format of the ballads enhanced and developed by the new accompaniment, and lending the stories themselves extra strength and vigour. Whatever the reason, the result is a quite remarkable record – one of the best of the year, and one of the best of Roberts’ career to date. I urge you to seek it out, and if you get the chance to see them live then make sure you book your seats in good time. To give you a taste as to what to expect, this is ‘The Fair Flower Of Northumberland’:

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New Musical Success: A Review Of The Best In New Music…

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The hope is always that our monthly music reviews offer something of interest to all, but, without wanting to go overboard (although, “Why stop now?”, you may ask), this has been perhaps the most enjoyable to put together due to so much good music being released in the last month. It may be the multivitamins talking, but it feels like this could be the best New Musical Success…ever!

It’s certainly been difficult to reach a final eight. There’s some great tracks which just missed out, but hopefully that makes the final cut all the better. Featuring firm SWH! favourites, and with the warmest of welcomes to old friends and new, if there is a unifying theme to the music featured it is one of hope in these most difficult of times, and that should gladden your heart. But enough of this preamble – let the hyperbole begin!

Regular readers will know that our love for all things L-Space knows no bounds. They are a band who seem incapable of making anything other than magical music – a place where classic electronic pop meets the future. Their sound is as much influenced by movie soundtracks as other bands, lending it an epic, expansive feel which makes them stand out from the crowd. With each new release they give a glimpse of what is promising to be a wonderful bigger picture in the shape of their first album, due to be released on Last Night From Glasgow later in the year.

The latest single ‘Suneaters’ is the perfect example of this. Sci-fi dream pop at its finest, while it stands alone as a great single, when added to what has gone before, and what is surely to come, it only confirms L-Space as a band to see us through tough times. I’m a believer:

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Get Connected: SWH!’s Pick Of Celtic Connections 2018…

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“January, sick and tired you’ve been hanging on me”, sang Edinburgh’s Pilot in 1975 and even if you’re not quite sure what it means, you get the gist. For me, a year doesn’t get going properly til Celtic Connections begins. A festival which never fails to deliver, and which continues to grow in terms of number of gigs, breadth of music, and international stature – deep, and wide and tall.

This year is the 25th anniversary, which is worth celebrating in itself, but which would mean little if the quality wasn’t maintained. Have no fear as Celtic Connections shows no signs of slowing down.

As always, we’d like to point you in the direction of lesser known gems which can be found at the festival alongside the headliners and more well-kent attendees, which this year include Shelby Lynne & Allison Moorer, Kate Rusby, Shawn Colvin, Kathryn Williams, Beth Orton, Joe Henry and The Mavericks!

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New Musical Success: A Review Of The Best In New Music…

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This has been a summer of unexpected treats and great new music from the well-kent and the brand new. What you are about to listen to shows this off to full effect, but then we would say that. Suffice to say that it is all killer, no filler, and this list could have been twice the length it is. However, we prefer to keep things short and sweet.

To kick us off, it’s our album of the month, and one of the best of the year. It’s Sister John’s Returned From Sea, and it’s a delight from start to finish – a proper album where each track feeds into and enhances the rest. Comparisons can be made with the albums of Gillian Welch and Dave Rawlings, but I was also put in mind of Conor Oberst, Micah P Hinson and even Joan Baez. If the music which has become know as Americana is your sort of thing then Sister John are the band for you. But you don’t need to take my word for it as they are undergoing a short tour, with The Braemar Gallery gig promising to be extra special, so get tickets while you can. In the meantime, this is ‘He Came Down’:

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Fringe Benefits: Scots Whay Hae!’s Top 10 Picks Of The Edinburgh Fringe…

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August means Edinburgh, and there is so much on offer that it can be tough to separate the wheat from the cultural chaff. You can peruse the full programme here, but to give you some guidance here are Scots Whay Hae!’s pick of the Fringe. There’s comedy, theatre, music and more – hopefully, something for everyone.

2017MOREMOI_T4Alan Bissett – (More) Moira Monologues –  Scottish Storytelling Centre
After two sold-out Edinburgh Fringe runs, straight-talking single mum Moira Bell returns in a new instalment of Alan Bissett’s much-loved one-woman show. Moira’s a gran now, but still telling hilarious home-truths about dating, her estranged sister, cleaning posh folk’s hooses, the return of her ex Billy, and Brexit.

UnknownGary McNair – Letters To Morrisey – Traverse Theatre (Venue 15) ​
It’s 1997. You’re 11. You’re sad, lonely and scared of doing anything that would get you singled out by the hopeless, angry people in your hometown. One day you see a man on telly. He’s mumbling, yet electrifying. He sings: ‘I am human and I need to be loved, just like everybody else does’. You become obsessed with him. You write to him. A lot. It’s 2017. You find those letters and ask yourself: ‘Has the world changed, or have I changed?’. Gary McNair returns after his award-winning sell-out show A Gambler’s Guide to Dyingwww.madeinscotlandshowcase.com

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Irvine Welsh & Dean Cavanagh – Performers – Assembly Rooms (Venue 20)
Making its debut in Edinburgh, Performers is a black comedy from Irvine Welsh and Dean Cavanagh. The longtime collaborators have turned their attention to 1960s swinging London and the making of the film Performance, a violent and trippy cult film that starred Mick Jagger and James Fox. The play revolves around two gangsters auditioning for roles and how far they will go to impress. Sexuality, identity, memory and Francis Bacon are examined as the pair try to make sense of the situation they have found themselves in. In 1960s swinging London, naked ambition trumps everything. Continue reading

January Rhythm & Blues: A Preview Of Celtic Connections 2017…

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“January…let us endure this evil month”, to paraphrase the French writer Colette. You may think this overly dramatic, but you know what she’s getting at. For me, a year doesn’t get going properly til Celtic Connections begins. A festival which never fails to deliver, and which continues to grow in terms of number of gigs, breadth of music, and international stature – deep, and wide and tall.

As always, we’d like to point you in the direction of lesser known gems which can be found at the festival alongside the headliners and more well-kent attendees, which this year include Laura Marling, Billy Bragg & Joe Henry, Fairport Convention, Mary Chapin Carpenter with Altan & Julie Fowlis, and Eliza Carthy. Some of the names below you may recognise from our regular music reviews, and they all are deserving of your attention. Each one promises an unforgettable night, and what more can you ask for in these early days of 2017?

You can peruse the full programme at your leisure at Celtic Connections, and receive all the up-to-date news by following on Twitter, and Facebook.  But before you rush away, here is the Scots Whay Hae! guide, (complete with links to further details), to what we’re calling ‘the best of the rest of the fest’.

Mark W. Georgsson – 19th Jan, Hug & Pint

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The Tracks Of My Year: SWH!’s 10 Best Songs Of 2016…

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Looking back, as is everyone’s wont at this time of year, two things in particular are striking about 2016 in music. There was the continued rise and success of the independent record label, especially Last Night From Glasgow, Song, by Toad, Olive Grove Records and Errant Media, and it was a year of classic albums, from the triumphant return of Teenage FanclubMogwai, King Creosote and Kid Canaveral, through the mostly excellent SAY Award nominees, to those released by the artists below.

These are our choices for the 10 best songs reviewed on these pages this year. As ever, it’s a list which focuses on individual tracks, but if you like what you hear you should investigate further as most of them are to be found on equally awesome albums.

If you aren’t sated by what follows you can discover more of the new music we covered on Scots Whay Hae! by listening to our Best of 2016 Spotify list.

But enough preamble, here’s the countdown listed in chronological order and what we thought about them at the time, with a few relevant updates…

Errant Boy – Black Dress, Black Cab

Errant Boy are another who have recently featured on those pages. That’s because we like to be surprised and delighted, and it appears that the ability to do both is in Errants Boy’s DNA. This is their latest single, ‘Black Dress, Black Cab’, and it demands repeated listenings as it takes you to different places every time. The song moves from menace to magic and back again in a single line, with layered acoustics and vocals which seem to pull you in opposite directions. It reminds me of The Woodentops in the sense that what you are listening to is way more complex than you initially believe, and that’s a great thing. I feel I could write a short essay on this song. I’ve been listening to it a lot. Can you tell?

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