All good things must come to an end, and this is sadly true for Stuart Cosgrove’s epic and engaging soul and civil rights trilogy. What began with Detroit ’67: The Year That Changed Soul, and moved to Memphis ’68: The Tragedy Of Southern Soul, ends with Harlem ’69: The Future Of Soul, and while it is a crying shame that, for the moment at least, we won’t find out more of what happens next (although, as suggested in the title, Cosgrove does touch upon the future), as James Brown knew, when you depart the stage do it in style and leave them wanting more. Cosgrove is leaving us in the finest style, job done.
Anyone who has read the previous books will know what to expect in terms of form. Cosgrove takes us through the year of 1969 chronologically, month by month, and looks at events which may have begun in Harlem but which had ramifications way beyond the neighbourhood boundaries. His cast of characters are a Venn diagram of the well-known, the lesser-known, the expected, and the unexpected. For every Curtis Mayfield, James Brown, Gil Scott-Heron, and Donny Hathaway, there’s someone such as Fat Jack Taylor, Betty Mabry, Arthur Conley, and Afeni Shakur (born Alice Faye Williams) whose stories are vital – indeed they, and others like them, are the spine of Harlem ’69. Continue reading
You may have had your fill of ‘Books Of The Year’ lists, but we like to think that Scots Whay Hae!’s selection is small, beautifully formed, and well worthy of your attention.
These are the books which stood out against stiff competition in 2017. The list could easily have been longer but we like to stick to a traditional Top Ten. Consisting of five novels, two short story collections, a musical/historical biography, a collection of journalism, and a peerless book of essays, they take you to Memphis, Airdrie, Springboig and the Alsace, with detours to Firhill, London during the Blitz, New Mexico and Millport along the way. Taken as a whole they are a testament to the breadth of artistic and cultural imagination at large in Scotland today. Need further convincing? Here’s what we thought at the time:
David Keenan – This Is Memorial Device
This Is Memorial Device is spot on in terms of time and place, but it’s so much more than that. It’s rare for a writer to capture both in a manner which avoids nostalgia and feels relevant, but Keenan manages to do so. This is a novel which is about what it means to be young, about the hows and whys – the when and where is less relevant. It’s about youth. Real youth, not the sort of arrested development that is all too common these days. I’ve read it twice and will do so again before too long. At the age of 46 it’s had a palpable effect on me. If I had read it when I was 15, (as happened with The Busconductor Hines and The Wasp Factory), there’s every chance it would have changed my life. That’s your definition of a cult novel right there.
You can hear David Keenan talking about This Is Memorial Device on the SWH! podcast. Continue reading
One of the most eagerly anticipated books of 2017, at least round our way, is Stuart Cosgrove’s Memphis 68: The Tragedy Of Southern Soul. It follows on from Detroit 67: The Year That Changed Soul which was one of SWH!’s Books of the Year for 2015 and which Stuart spoke about in depth when he was a guest on the SWH! podcast. Both books are part of his ‘Sixties Soul Trilogy’ (Harlem 69 is due in 2018) which takes the music of those cities as a starting point to further explore arguably the most explosive and important years of 1960s America.
Memphis 68 is defined by two deaths; Otis Redding’s in December of 1967 and Martin Luther King Jr’s in April ’68. The book begins with a city in mourning for its favourite son. For many music fans, this was the day the music died, with Redding’s demise in a plane-crash as shocking and untimely as that of Buddy Holly in similar circumstances in 1959. As with the earlier incident, it is easy to overlook the other individuals who also lost their lives, but Cosgrove makes sure they are not forgotten, reminding readers that while Redding may have been Stax Records’ shining star, he was a member of a large musical family whose loss was great and deeply felt. Continue reading