The Hills Are Alive: Hit The North For Gigs At The Gallery…

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Want to see some of your favourite musicians in one of the most beautiful locations in Scotland? I know I do, and now we both can as The Braemar Gallery will be host to a series of gigs in the second half of 2017. After the success of the appearance of WHYTE, other musicians have decided that the idea of playing intimate gigs against the backdrop of Royal Deeside is too good an opportunity to pass up.

They begin with Mark W. Georgsson and Barrie-James on the 26th July. Mark has featured in a few of SWH!’s musical roundups, and Barrie-James O’Neill will be known to many as the one-time singer of Kassidy. Together they promise to kick off the Gigs in the Gallery in style. As a taste, here’s Mark with ‘A Banjo Lament’:

Next, on August 2nd, Louise Bichan and Conor Hearn are in town. Conor is perhaps best know as one-third of Maryland based TriHearn, a trio which also includes his siblings Caitlin and Brendan, and it’s a real treat to have him playing some Scottish shows. Louise’s Out Of My Own Light album is one of the best of the last 12 months, and was rightly long-listed for this year’s SAY Award. Here is just a sample of the beautiful music you can expect:

On September 11th, US indie musician and comic book artist Jeffrey Lewis will appear with The Burning Hell. This is a rare chance to see a genuine musical pioneer who has influenced some of the your favourite musicians, you just may not realise it. A modern day Jonathan Richman, Lewis is one not to miss. Here he is with ‘Broken, Broken, Broken, Heart’:

Scottish musicians Salt House will be in the house on October 26th with their fantastic brand of alt-folk music. This promises to be the perfect mix of music and venue, as their sound is a blend of contemporary and traditional, much like the Braemar Gallery itself. Here they are with ‘The Road Not Taken’:

Lizabett Russo is another who has featured on the pages of SWH! before, with her album The Burning Mountain featuring in the best of 2016 music roundup. She’ll be appearing with one of Scotland’s greatest guitarists, and best-kept musical secrets, Graeme Stephen on 24th November. This will prove to be a night to remember, so get in early for tickets. To whet your appetite, here’s the title track of ‘The Burning Mountain’:

Finally for 2017, at least at the time of writing, Alasdair Roberts returns to Braemar on December 1st for a gallery gig. He was there in the summer of 2015 in collaboration with Ross Whyte for The New Approaches To Traditional Music project. A musician who is much in demand, it’s always a treat to see and hear Alasdair play. Here he is with ‘Pangs’, from his 2017 album of the same name:

I hope you agree that these are events which are well worth the extra effort to get to, and I hope to see a few of you there.

For further information you can follow Braemar Gallery on Facebook and Twitter, and can reserve tickets by emailing info @braemargallery.co.uk

If you can’t make any of them this time around then dinnae fash – there are due to be further Gigs in the Gallery in 2018.

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New Musical Success: A Review Of The Best In New Music…

a4212747351_10Rounding up a year’s music, as we did in December, makes it feel like each year is self contained and we start afresh all over again, but in reality the music never stops and thank your lord for that. If January was anything to go by 2017 is going to be just as diverse and exciting as 2016 was, with this roundup featuring indie, pop, lo-fi electronica, alt-country and some amazing metal. As long as it’s good, it’ll find a home here.

Exhibit A. We’ve been waiting for new music from Campfires In Winter for what seems like an age, but I am delighted to say it has been well worth the wait. Appearing at the end of last year, ‘Free Me From The Howl’ is the first track from their soon to be released  debut album Ischaemia. It’s driven by a three pronged attack of drums, bass and guitar all of which support Robert Canavan’s plaintive vocals which are a perfect match to the lovelorn lyrics. It’s one of those records which helps to make sense of broken hearts and lost love – which we all need in our collection. And if you don’t right now, you will someday. It’s also got one of the best videos I have seen in some time:

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Last Night, They Said: The Scots Whay Hae! Podcast Talks To Last Night From Glasgow…

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Mark W. Georgsson: The Ballad Of The Nearly Man

In our first podcast of 2017, Ali talks to Ian Smith and Murray Easton, two of the founding members of record label Last Night From Glasgow.

Starting with their first release, Mark W. Georgsson’s single ‘The Ballad Of The Nearly Man’, they went on to give us some of the best records of 2016 from the likes of Emme Woods, Stephen Solo, Teen Canteen, Be Charlotte and BooHooHoo.

Along the way they have built up a loyal and faithful following all of whom who are made to feel part of the ever-growing LNFG family. Continue reading

January Rhythm & Blues: A Preview Of Celtic Connections 2017…

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“January…let us endure this evil month”, to paraphrase the French writer Colette. You may think this overly dramatic, but you know what she’s getting at. For me, a year doesn’t get going properly til Celtic Connections begins. A festival which never fails to deliver, and which continues to grow in terms of number of gigs, breadth of music, and international stature – deep, and wide and tall.

As always, we’d like to point you in the direction of lesser known gems which can be found at the festival alongside the headliners and more well-kent attendees, which this year include Laura Marling, Billy Bragg & Joe Henry, Fairport Convention, Mary Chapin Carpenter with Altan & Julie Fowlis, and Eliza Carthy. Some of the names below you may recognise from our regular music reviews, and they all are deserving of your attention. Each one promises an unforgettable night, and what more can you ask for in these early days of 2017?

You can peruse the full programme at your leisure at Celtic Connections, and receive all the up-to-date news by following on Twitter, and Facebook.  But before you rush away, here is the Scots Whay Hae! guide, (complete with links to further details), to what we’re calling ‘the best of the rest of the fest’.

Mark W. Georgsson – 19th Jan, Hug & Pint

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New Musical Success: The Best New Music From The Last Month…

a3715261681_10To say we live in strange times is understatement veering towards sarcasm. I don’t wish to appear trite, but in the worst of times, for whatever reasons they may be, music in particular brings me comfort like nothing else can.

Feeling down? Listen to Smokey sing, Johnny play guitar, or Dylan do anything. It never fails me, and it hasn’t this time round. With that in mind, putting together this roundup of the best in new music from the last month has not simply been a pleasure but seriously uplifting. In short – I needed that.

First off, we have what I consider the pop song of the summer. Ette’s album Homemade Lemonade is out on the 22 July – and you really should get your order in now. But you don’t need to take my word for it as listening to ‘The Attack of the Glam Soul Cheerleaders (Parts 1 & 2)‘ will persuade you within the first 10 seconds. This is pop music at its very best, from the opening handclaps and keys, through the guitar riff which drives things alongside Carla J. Easton’s perfect bubblegum vocals, to the false ending and joyous wig-out which follows. It’s a reminder that the best pop music does not need a big production – it can spring from anyone and anywhere when the inspiration strikes. If Phil Spector had lived round our way, this is the sort of wall of sound he’d be making:

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Ette headlined the Olive Grove Records Review at Oran Mor last month, which is one of the gigs of the year so far. No real surprise as it also featured Call To Mind, The Moth and The Mirror (and what a set that was) and the debut of The Royal Male, the solo venture from Woodenbox’s Ali Downer. The Royal Male’s album is Plastic Throne and the single is ‘Start When It’s Over’. Both have a wonderful mix of eclectic piano, understated horns, and a liberal sprinkling of whip-smart melodies reminiscent of Neil Hannon and Ben Folds. Having heard the whole album I can confirm it’s an absolute joy. The single alone brings a smile to my face every time I play it, which has been a lot. What say you?:

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