For the latest podcast Ali went to Edinburgh to talk to Edwin McLachlan and Morgan Hosking, two members of Half Formed Things (unapologetically one of SWH!’s favourite bands). They talk about their astonishing album To Live In The Flicker, the origins of the band, what it’s like to work with close friends and family, the importance or otherwise of place, their shared philosophy, themes, influences, and a whole lot more.
You’ll also get two tracks from the album which will give you a clear idea as to just how good it is. And if the other two members of the band, Nici Hosking and Matthew Bakewell, disagree with any of what was said we are more than willing to record a follow up to give their side of the story! If you are interested in making music, or in how music is made, then this is a must listen, and one of the most in-depth and interesting podcasts to date.
If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so).
You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud…
Here’s an extract from SWH!’s review of To Live In The Flicker, “From the opening ‘Flicker’ to the closing ‘The Calm’ you are taken to another place by a soundtrack which makes your head swim – with instruments being used for different purposes – drums and cymbals take the lead, piano riffs keep the rhythm, and harmonies (oh, the harmonies!) becoming an instrument all of their own.” And you can read the full review here.
The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.
It’s interesting to write this after putting together two radio shows made solely from music featured on this year’s SAY Award Eliglible Album list (Yes, we have a SWH! radio show – haven’t I mentioned it? You can catch up with all the old shows here – SWH! on LP Radio). What it proved was that last year was phenomenal in terms of Scottish music, with a huge variety of styles and genres on show, and of such high quality it’s genuinely astonishing. It fair makes yer heart swell…
This month’s review proves that situation is not only continuing, but is arguably getting even better. Without a doubt it has been one of the hardest to compile as there was so much good new music released in the last month, and to whittle it down to eight was tough. There’s a mix of noisepop, jazz/folk, electronica, gaelictronica, singer/songwriters, American roots, and much more, including at least one album (at least one) destined to become an all-time classic. Think I’m joking? Perhaps exaggerating for effect? Read on and decide for yourself…
We are going to start with Half Formed Things. Regular readers of these reviews will probably be able to write this one for themselves as I have made it clear that when it comes to Half Formed Things it was a case of love at first listen, which would have been their eponymous EP back in 2016. Since then there are few things I have been awaiting with as much anticipation as their debut album, Live In The Flicker. Now it is with us and I can assure you, and me, that it more than lives up those high expectations.
The album opens and closes with the peal of church bells, and the songs in-between each tell their own tales, like chapters in a book, not unlike Tindersticks, or, and I don’t say this lightly, The Blue Nile – with each song working individually but coming together to create an even greater whole. Other influences I detect are David Sylvian, Kate Bush, and late-period Talk Talk, with a similar sense of space being evoked. That suggests ambience, yet the music is always insistent – it will not be ignored. There’s a sense of momentum to the album – like glimpsing scenes from a moving train, you’re not quite sure what you’ve just witnessed.
That’s what the first listen to Live In The Flicker is like, you know you’ll have to listen again, and again, to try and understand fully. From the opening ‘Flicker’ to the closing ‘The Calm’ you are taken to another place by a soundtrack which makes your head swim – with instruments being used for different purposes – drums and cymbals take the lead, piano riffs keep the rhythm, and harmonies (oh, the harmonies!) becoming an instrument all of their own.
So make room in your lives for Half Formed Things’ Live In The Flicker as it may just be your new favourite album – or maybe, for you, just a very good one. Ultimately you decide, I can only guide. You certainly won’t hear another album like it until they make their next one. Scottish Album of the Year? Half Formed Things may just have made an album for the ages.
How do you follow that? Well, what about a track from an album which has now become the most eagerly awaited of the year, and a video featuring friend of SWH! and Olive Grove Records hi-heed-yin, Lloyd Meredith, tied to a pole in the middle of nowhere. The artist is Broken Chanter and the track is ‘Wholesale’, and if it’s an indicator of the quality of the rest of the album (*Spoiler Alert – it is) then we are all in for a treat.
As anyone who has been to a Broken Chanter live show knows ‘Wholesale’ has quickly become a highlight of the set, and rightly so as it is Celtic pop at its finest, with David MacGregor’s world weary vocals (for Broken Chanter is he) beautifully offset by heavenly harmonies and a band playing at the peak of their powers. They include Audrey Tait, Jill Sullivan, Gav Prentice, Hannah Shepherd, Kim Carnie, and Emma Kupa – just about the most super-group you could imagine. If the summer starts with Half Formed Things and Live In The Flicker it could be rounded off nicely by the Broken Chanter album. Phew, what a scorcher! In the meantime, enjoy ‘Wholesale’, video and all:
What I love most about these reviews is discovering someone new to SWH! and falling hard for their music. Norrie McCulloch got in touch last month and kindly sent a copy of his latest album Compass. It is packed to the gunnels with great songs, with Norrie’s voice as smooth as a Speyside single malt.
There is some great American influenced roots music being made and played in Scotland at the moment, and Norrie has made a record which stands alongside the best of them, and which deserves to be heard far and wide. If you like Crosby, Stills, Nash & Young, together or as seperates, then this is for you. If Haight-Ashbury had sat at the foot of Stirling Castle this is the music you would have heard. This track is called ‘Road Sign’ and it is the very definition of a great song. Listen once, listen again, and before you know it you’re hooked.
I have probably seen Lizabett Russo live more than any other artist in the last 12 months, with L-Space possibly the only exception, and I can tell you that she never gives the same gig twice. There have been nights of traditional Transylvanian songs, film soundtracks, folk and fairy tales, and then there is her own music which is a mixture of them all. Her latest album is Something In Movement, made with her regular musical collaborator, guitar virtuoso Graeme Stephen, as well as Pete Harvey, Tim Lane, and Tim Vincent-Smith.
It’s a fantastic collection of songs in every sense of the word, with Russo’s voice never better. There seems to be a new-found confidence in her work, as if this is the album she’s been wanting to make from the start. Be under no illusion, Lizabett Russo is the real deal, and one of the most interesting and intriguing musicians around. This song, ‘The Hunter & The Prey’, makes that point perfectly:
Another new band to SWH! are Bad Protagonist Club but I’m sure this won’t be their only appearance on these pages. This single is ‘Verdant Forest (Waiting For Me)’ and it’s exactly the sort of pop song which works its way into your life without you noticing. You get up in the morning, it’s just there! There are chiming guitars, drums battered to within an inch of their lives, vocal harmonies as much shouted as sung, and bursts of energy followed by periods of contemplation, before it all kicks off again – like a kid whose tooth-kind Ribena has been replaced with Buckfast. This, in case you were in doubt, is a very good thing. And this is ‘Verdant Forest (Waiting For Me)’:
Amy Duncan has regularly appeared on these pages over the years, and the reason for that is she just keeps on making music which lifts the heart and soothes the soul (hell, it might even soothe Bad Protagonist Club). Her latest single, ‘Labyrinth’, is no exception, although, like most of the music featured in this review, there is a twist in the tale. In Amy’s case it’s the electronic sounds and jazz rhythms which appear halfway through and turn what is a perfectly lovely song into something altogether more interesting. Amy Duncan’s music makes the world a better place, and right now we need her, and those like her, more than ever. This is ‘Labyrinth’:
Previous podcast guests WHYTE are back with a new album, tairm (following on from the acclaimed Fairich) and to say it’s a thing of beauty is understatement in the extreme. Once again composer Ross Whyte’s electronic music underscores Gaelic songs sung by Alasdair Whyte, and their marriage is magical. The songs are based in the folk-tradition, but Ross’s music, perhaps unexpectedly, enhances that feeling rather than diluting it.
It helps that Alasdair’s vocals sound like they are sung by an old soul, and he clearly has an inherent understanding of what he sings and where it comes from. I mentioned the SAY Award at the top of the page and I genuinely think that tairm has a chance of being the first Gaelic language album in contention. Put aside any doubts you may have and join in as it’s a record which deserves to be heard by the widest audience possible. That includes you, by the way.
Braemar’s Youth Team also have new music for our pleasure in the form of the album Threshhold Experience and it is the result of Angus Upton (for they are he) spending a winter immersing himself in Krautrock, the works of Brian Eno, and possibly The Durutti Column if the title of one track is anything to go by – an excellent way to spend those long nights. It’s certainly been time well spent as Upton proves again he is one of the most exciting young musicians around today, and if you haven’t yet got his 2018 album Survival, Evasion, Resistance, Escape (an eligible album for this year’s SAY Award) then I advise you to do just that. But only after you listen to the following. Youth Team are in it for the long haul and that’s a journey you want to be part of.
Meet you here next month for more of the best in new Scottish music. But while you wait, remember that SWH! now has a regular radio show on LP Radio on Monday nights, 7-9pm. You can catch up with the previous shows, along with all the other fantastic LP Radio shows, by following the relevant links in the sidebar.
Once again Montgomery Scott raises a glass to see out the old year and ring in the new and that means it’s time for Scots Whay Hae!’s annual selection of New Year’s Eve treats. It’s an alternative to the Hogmanay telly, so if there’s little you fancy on the box there might be something here to your liking.
There’s been a lot of programmes looking at the life and times of Billy Connolly recently, so it seems apt to post a link to what is, in my opinion, the funniest hour of TV that there has ever been. It’s the legendary An Audience With Billy Connolly:
One of our podcast guests of 2018 was filmmaker May Miles Thomas whose film Voyageuse was one of the best of the year – rightly winning awards and critical acclaim. Here’s the trailer, along with a link to where you can watch the full film:
This year we lost the great Tom Leonard, a poet who changed the perception of Glasgwegian literature, and who was part of a generation of writers who shaped modern Scotland. Here is some rare footage of the man himself reading at the CCA, then known as the Third Eye Centre, in 1976. Rest in peace:
2018 was the year of Muriel Spark 100 with 12 months of events celebrating the centenary of her birth, as well as the republishing of all her novels by Birlinn. One of the most entertaining is Spark’s comic take on the Watergate Scandal, The Abbess of Crewe, which was later made into the film Nasty Habits, starring Glenda Jackson. Sounds unlikely? Here’s the trailer:
A slice of SWH! podcast gold now as we go way back to 2013 and our interview with the writer James Robertson. He was principally there to talk about his novel concerning the Lockerbie disaster The Professor Of Truth but ended up discussing a whole lot more:
A superior alternative to that there Hootenanny is surely Roddy Hart‘s Best of 2018 which will act as the perfect soundtrack to your evening, sans excess boogie-woogie piano:
But if that’s not enough for you, here’s more music to ease you into 2019 from bands who are set fair to have a cracking 2019. First off are OK Button, who made quite a splash in late 2018. Here they are with their recent single ‘Beds’:
Perhaps the album we are most excited about is from Half Formed Things which is on its way in the new year. Why are we so excited? Because they make music like this:
Cloth are another band who came to everyone’s attention in 2018 with their releases on Last Night From Glasgow receiving praise far and wide. This is ‘Old Bear’ taken from their BBC Music Introducing Session in November, and it highlights what a fine live band they are as well as on record. Expect an album soon:
And finally, this year Ali was asked on to Sunny Govan Radio by Disco Dale to take part in his ‘Well Kent Faces’ show, where he had to nominate three songs which reminded him of Glasgow in some way. If you missed it I won’t tell you what they were yet as it will be available online in the new year, but here’s one he definitely missed:
And that was 2018. We’ve no idea how 2019 is going to pan out (who could?), but whatever happens we’ll be there reviewing, commenting, and in conversation with some of those who are going to shape it.
From everyone involved with Scots Whay Hae!, Happy New Year and we’ll see you on the other side…
For our final Best Of 2018 podcast Ali, Chris Ward, Wesley Shearer, accompanied by our very own Young Father, Ian, discuss their favourite records of the year, and the best gigs of 2018. What do they choose? Well you’ll just have to listen to find out (although the tags at the bottom of this page give some clues), but we can say that there are a hell of a lot of winners, and nary a loser in sight as they decide that the year in music was a rather fine one.
You can still listen to our review of the best books of the year, with Vikki Reilly, and the review of the year in film, also with Chris & Wesley. And in the new year we can promise you even more special guests and discussion about all things cultural which are happening in and around Scotland, starting with the muscian and writer Beerjacket, (also sometimes known as Peter Kelly).
If you are new round these parts there is also quite a substantial number of previous SWH! podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud…
But before we get ahead of ourselves – if you can fit in one more ‘Best Of The Year’ list, small but perfectly formed, this is our annual choice of the 10 best songs reviewed on these pages over the last 12 months. As ever, it’s a list which focuses on individual tracks, but if you like what you hear you should investigate further as most of them are to be found on equally awesome albums or EPs.
That’s enough preamble – here’s the countdown, listed in order of their date of release, and what we thought about them at the time, with a few relevant updates…
Carla J. Easton has made music as a member of Teen Canteen, under the name of Ette, and on multiple other collaborations. In 2018 she released the album Impossible Stuff under her own name which made it clear that no matter the moniker it is business as usual as Easton continues to prove she is incapable of making music which is anything other than magical. Exhibit A is ‘Lights In The Dark’, and it is a moody and mature slice of electro pop which shows others just how this sort of thing should be done. Carla J. Easton deserves to reach the widest audience possible and this could be the song to do just that. Take a listen and see if you agree:
The hope is always that our monthly music reviews offer something of interest to all, but, without wanting to go overboard (although, “Why stop now?”, you may ask), this has been perhaps the most enjoyable to put together due to so much good music being released in the last month. It may be the multivitamins talking, but it feels like this could be the best New Musical Success…ever!
It’s certainly been difficult to reach a final eight. There’s some great tracks which just missed out, but hopefully that makes the final cut all the better. Featuring firm SWH! favourites, and with the warmest of welcomes to old friends and new, if there is a unifying theme to the music featured it is one of hope in these most difficult of times, and that should gladden your heart. But enough of this preamble – let the hyperbole begin!
Regular readers will know that our love for all things L-Space knows no bounds. They are a band who seem incapable of making anything other than magical music – a place where classic electronic pop meets the future. Their sound is as much influenced by movie soundtracks as other bands, lending it an epic, expansive feel which makes them stand out from the crowd. With each new release they give a glimpse of what is promising to be a wonderful bigger picture in the shape of their first album, due to be released on Last Night From Glasgow later in the year.
The latest single ‘Suneaters’ is the perfect example of this. Sci-fi dream pop at its finest, while it stands alone as a great single, when added to what has gone before, and what is surely to come, it only confirms L-Space as a band to see us through tough times. I’m a believer:
But before we get ahead of ourselves – you’ll more than likely have had yer fill of ‘Best Of The Year’ lists , but if you can fit in one more, small but perfectly formed, this is our annual choice of the 10 best songs reviewed on these pages over the last 12 months. As ever, it’s a list which focuses on individual tracks, but if you like what you hear you should investigate further as most of them are to be found on equally awesome albums or EPs.
If you aren’t sated by what follows you can discover more of the new music we covered on Scots Whay Hae! by listening to our Best of 2017 Spotify list.
But enough preamble, here’s the countdown listed in chronological order and what we thought about them at the time, with a few relevant updates…
There are times, and these are times, when you need a band and a song who will sort things out for you, and, at least for a short while, make everything all right. Yakima are that band, and ‘Wabi Sabi’ is that song, taken from their single Medicine For Family Entertainment. Sounding like the cooler young cousins of The Afghan Whigs, or a less cynical Buffalo Tom, this is a song guaranteed to brighten your day or your money back*. I suspect Yakima have an excellent record collection from which they have learned some important lessons and used them to make something brand spanking new and all of their own:
*(This is clearly not a binding promise – clearly).
To recklessly misquote S. P. Morrissey, “Some months are better than others”, but this month is surely one of the best music reviews we have ever offered for your pleasure. It’s a mix of new music to make the heart sing and the future seem a warmer and more welcoming place, as well as a few of Scots Whay Hae!’s favourite musicians from the last 10 years – a potent combination. Looking forward, looking back.
Edinburgh bands feature strongly this month, and we’re going to start with one of the finest. Storm The Palace’s debut album Snow, Stars and Public Transport is out now on Abandoned Love Records. Last night saw the announcement of this year’s Scottish Album Of The Year, where Sacred Paws triumphed over a hotly contested short list. But the world can’t stand still and I’m going to suggest that Snow, Stars and Public Transport should be among the contenders for that title this time next year. Reminiscent of Lorraine & The Borderlands and Modern Studies, Storm The Palace have made a record which is sheer class from Track 1 to 10. Inventive with a strong sense of the tradition in which their music sits, this is baroque and roll at its very finest. As an example of what they do, listen to ‘La Lido’: