The McClory Variations: The Scots Whay Hae! Podcast Talks To Helen McClory…

helensqsp.jpg

For the latest podcast Ali met up with Helen McClory (below) at Edinburgh’s Fruitmarket Gallery to talk about her life as a writer to date – and a very interesting story it proved to be.

404+Ink+-+Helen+McClory+-+19OCT2017+-+Sinead+Grainger+07

From studying literature and creative writing in St Andrews, Sydney and Glasgow, to winning awards for her debut short story collection On The Edges Of Vision, walking Lou Reed and Laurie Anderson’s dog, the difficult publication of her novel Flesh Of The Peach, writing about Jeff Goldblum, to her latest collection of short fiction Mayhem & Death, it is a fascinating tale, and one which will be of interest to anyone who loves reading and writing.

If you haven’t yet read Helen McClory, this is the podcast to persuade you to do just that, and you can find out more about her latest publications at 404 Ink. Continue reading

Stranger Things: A Review Of Helen McClory’s Mayhem & Death…

51tswpU6n+L._SX326_BO1,204,203,200_.jpg

One of Scots Whay Hae!’s Best Books of 2017 was Helen McClory’s novel Flesh Of The Peach, which should have reached a much wider readership but it became a casualty of the sudden demise of Freight Books, being published but with little or no publicity. I urge you to get a copy, if you still can, and treasure it. Thankfully, 404 Ink are publishing her latest collection of short fiction, Mayhem & Death – an apt title, taken from the powerful opening story ‘Souterrain’, as there proves to be plenty of both between its covers.

McClory’s stories share DNA with those of Kirsty Logan, particularly those in The Rental Heart and A Portable Shelter, and Ever Dundas’ excellent novel Goblin, but they are also reminiscent of Angela Carter and Alison Lurie, often looking to the natural world and animal kingdom, and the accompanying mythology, fantasy and fables, to examine themes of grief, alienation and loneliness. In fact Mayhem & Death has a dedication which reads ‘For The Lonely’, and it’s a subject which McClory returns to and examines throughout these tales. Continue reading

The Good Word: Scots Whay Hae!’s Best Books Of 2017…

 

dsc_06491.jpgYou may have had your fill of ‘Books Of The Year’ lists, but we like to think that Scots Whay Hae!’s selection is small, beautifully formed, and well worthy of your attention.

These are the books which stood out against stiff competition in 2017. The list could easily have been longer but we like to stick to a traditional Top Ten. Consisting of five novels, two short story collections, a musical/historical biography, a collection of journalism, and a peerless book of essays, they take you to Memphis, Airdrie, Springboig and the Alsace, with detours to Firhill, London during the Blitz, New Mexico and Millport along the way. Taken as a whole they are a testament to the breadth of artistic and cultural imagination at large in Scotland today. Need further convincing? Here’s what we thought at the time:

DSC_0382David Keenan – This Is Memorial Device

This Is Memorial Device is spot on in terms of time and place, but it’s so much more than that. It’s rare for a writer to capture both in a manner which avoids nostalgia and feels relevant, but Keenan manages to do so. This is a novel which is about what it means to be young, about the hows and whys – the when and where is less relevant. It’s about youth. Real youth, not the sort of arrested development that is all too common these days. I’ve read it twice and will do so again before too long. At the age of 46 it’s had a palpable effect on me. If I had read it when I was 15, (as happened with The Busconductor Hines and The Wasp Factory),  there’s every chance it would have changed my life. That’s your definition of a cult novel right there.

You can hear David Keenan talking about This Is Memorial Device on the SWH! podcast. Continue reading

American Beauty: A Review Of Helen McClory’s Flesh Of The Peach…

DSC_0450.jpgSometimes you read a novel which catches you unaware – enough that you have to pause, take a breath, and start all over again, taking the time to calibrate to the language and imagery used. More often than not it is  a sign of writing which isn’t afraid to experiment and take risks. Such a novel has to convince you that it is right and it’s up to you to adapt your expectations. All of the above applies to Helen McClory’s debut novel Flesh Of The Peach, and it pays back the reader prepared to engage in spades.

It’s a novel about grief and self-loathing in southwest America, and how dealing with those emotions is as difficult and potentially destructive as life gets. Flesh Of The Peach opens in New York where English artist Sarah Browne is left reeling from the end of an affair with the married Kennedy, a woman in whom Sarah had staked unrealistic hopes of happiness, not realising, or perhaps realising all too well, that this was a doomed relationship from the start. For someone who sees herself as a failure it is exactly the sort of liaison which will simply prove that beleif to be true once more. Continue reading