The early months of a Glasgow year require a lot of moving around the city between festival events. January has Celtic Connections, February means Glasgow Film Festival, and in March the focus moves to Aye Write!. Few other cities in the world can boast that sort of festival action occurring before the clocks change, and a quality soundtrack is required to accompany the necessary toing and froing. Luckily for all concerned a very classy one emerged as some fine, and particularly melodic, new music was released.
We’re going to begin by going back to late February when Glasgow band Quick brought out their EP This I Know. It’s a beautiful collection of songs which stride that line between melancholy and inspiriting. The harmonies in particular are almost tangible as they wrap themselves around you, immediately improving your lot in life.
At times travelling to the more alt side of country, reminiscent of The Cowboy Junkies and Jessie Sykes and The Sweet Hereafter, at others dealing in the more traditional, Quick don’t just remind me of some of my favourite bands, on this evidence they are quickly going to join them. Listen for yourself, and for goodness sake if you like what you hear get yourself a copy. That goes for all the music featured in these reviews. Support your local musicians – we’ll all miss them when they’re gone. Here endeth the sermon, from now it’ll be just the music all the way – promise:
As the nights draw in and the heating comes on, it’s a good time to begin to take stock of the year and how it is shaping up for music. Looking back over SWH!’s musical roundups of 2016 to date there is little doubt that it has been one of the most interesting and varied of recent times, and it has no intention of stopping now.
So far the most notable rends have been left-field and/or ambient electronica, the reappearance of the singer/songwriter, the more traditional end of the folk spectrum, (great band name, ahoy!), and lashings of wonderful classic and classy pop music. The following roundup suggests that admittedly simplistic breakdown is not too far from the mark. It is also looking like the year the Scottish independent record label roared, (more of which at a later date), and there is further evidence of this in the music that follows.
First up we have the new album from The Furrow Collective, who set the bar high for contemporary trad/folk music, presenting their often dark material with wonderful understated playing and pin-sharp harmonies. The Collective are Rachel Newton, Emily Portman, Lucy Farell, and Alasdair Roberts (a previous podcast guest), and if you have felt in the past that folk music isn’t for you, and I know there are a few of you out there, then this is the record to change that. You want proof? Of course you do, so here they are with ‘Wild Hog In The Woods’ which also has perhaps the best video of the year: