I have written a few reviews of Scottish Opera productions, and they are more often than not along the lines of “I may not know a lot about opera, but here’s what I liked”. With their latest opera, Tchaikovsky’s Eugene Onegin, I at least can claim to know the source material, Alexander Pushkin’s 1833 ‘verse novel’ of the same name, which is arguably (and I will argue it) one of the greatest treatise on the nature of love ever written.
This makes it the perfect story for opera, something which Tchaikovsky clearly understood. He was nicknamed ‘the little Pushkin’ as a child by his governess, so it is perhaps unsurprising that he felt an affinity with this Russian writer in particular, but, with its themes of love, regret, vanity, obsession, selfishness, the passing of time and youth, duty, ennui, and passion vs convention, it is perhaps more suitable for realists rather than romantics. Continue reading