New Musical Success: A Review Of The Best In New Music…

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These music roundups often seem to throw up themes which are unintentional, but undeniable all the same. This latest batch of songs, when taken together, engender a reflective and almost melancholic mood, something which probably says more about your reviewer than the music itself. Again there is proof that singer/songwriters are in the ascendency, with a few band contributions to balance things out. But whether it’s folk, pop, indie rock, acoustic or electric, all of the following would be at home on an album called Now That’s What I Call Slightly Pensive Yet Still Sanguine

Zoe Bestel’s album Transcience came out last month on Last Night From Glasgow, and it’s rarely been off the SWH! turntable since. It’s a collection of songs which are aching in their beauty and fragility, yet there is a core strength and assuredness which makes you feel, if just while the record plays, that everything really is for the best in this best of all possible worlds, despite evidence to the contrary.

Musically, there are similarities with Stina Nordenstam, Emiliana Torrini, early Laura Veirs and late period Kate Bush, but Zoe Bestel is as original as they come, and as comfortable in her music as she is breathing. There is no artifice in evidence, just songs where the key is life. From Transcience, this is ‘Grey Skies’, and it makes all the above points, and more, better than I could ever manage:

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