David Graham Scott’s The End Of The Game is described as “A bizarre journey to Africa with a vegan filmmaker and an old colonial big game hunter.” In truth, that description just scratches the surface of what may prove to be the most controversial film at this year’s Glasgow Film Festival, most probably for people who only engage with it on the most simple and perfunctory level. Those who are willing to look beyond the perceived stereotypes which that description suggests will discover a layered and complex picture of a man out of time facing his own mortality, and the disappearance of all that he once held as certain.
It is also as much about the director himself and his growing relationship with his leading man and his beliefs, and how they appear to directly oppose his own. Scott avoids bringing his own preconceptions to the making of the film, and that’s the way an audience should approach it as well. Continue reading