There are few more difficult aspects for an adult writer to get right than the voice of a child. Often they are given speech patterns which are older in tone and content than the intended age. In recent years, however, Scottish writing has had quite a few examples where a young central character’s voice, accents and actions have been utterly believable. They include Ross Sayer’s Mary’s The Name, Helen MacKinven’s Talk Of The Toun and P.K. Lynch’s Armadillos, and to those you can add Daniel Shand’s latest novel Crocodile, published by Sandstone Press.
It’s the story of Chloe who has come to stay with her grandparents very much against her will. It unfolds that this is an arrangement between Angie, (the girl’s mother), and her elderly and estranged parents. It’s an uneasy alliance which means that although the latter get to spend time with their granddaughter, and Angie gets the break from the responsibilities and burden of being a parent which she feels she needs, they all realise that this is far from an ideal situation. As a result Chloe’s wishes are of little consequence and she has to find ways to cope. She literally dreams of life back with her mother, remembering a version of events which she may be viewing through rose-tinted spectacles married to a lack of understanding of the adult world that comes with youth. What remains of her naiveté is all too soon lost. Continue reading