It’s the time for ‘Books Of The Year’ lists and we like to think that Scots Whay Hae!’s selection for 2016, while small, is beautifully formed and well worthy of your attention.
These are the books which stood out against a lot of stiff and perhaps better known competition. The list could have been longer but we like to stick to a traditional Top Ten. Consisting mostly of novels, with one remarkable collection of short stories, and one unforgettable musical (auto)biography, these are the books which have left their mark. Here’s what we thought at the time:
Young Soul Rebels – Stuart Cosgrove
Stuart Cosgrove writes as he broadcasts – eloquently, forcefully and at pace, and as such he makes persuasive and forceful arguments. If you have a music fan in your life, then I would suggest this book is the perfect gift. If they are a soul fan, then it is a must. Anyone who has ever pored over liner notes, obsessed over b-sides, searched out limited editions and rarities, or cued hours for tickets or entry will recognise themselves at least in part on the page, no matter what their musical tastes. Stuart Cosgrove is here to remind you that while music may not be a matter of life and death (and there are poignant reminders of that in Young Soul Rebels) it certainly makes the former worth living. Continue reading
There are few things I look forward to more than a new Doug Johnstone novel. Over the last decade, beginning with 2006’s Tombstoning, he has produced a body of work which manages to be familiar yet absolutely individual, and has written thrillers which defy formula. Since 2011’s Smokeheads in particular it has felt as if this was a writer who had found his voice and a style which made him stand apart in a very busy marketplace. That style is literate and lean – Johnstone doesn’t waste a word in order to move the plot along. Legendary Motown Svengali Berry Gordy used to appeal to his songwriters, “Don’t bore us, get to the chorus”, and it appears Johnstone has a similar approach to writing.
Taking his eight novels to date as a whole, you can begin to see two distinct threads emerge which can loosely be divided into domestic/family noir, and more straightforward thrillers. His latest, Crash Land, is definitely in the latter camp. It’s a breathless tale of “boy meets girl – boy and girl flirt and drink gin – boy and/or girl crash plane”, and it will delight fans of Smokeheads, Hit & Run and The Dead Beat in particular as it is a return to the breakneck action of those books, where an unsuspecting individual gets embroiled in life-changing events which are mostly of other people’s making. Continue reading