One of the highlights of last year was the Scottish Alternative Music Awards night at St Luke’s in Glasgow which showcased not only the best of new Scottish music, but also how the SAMAs have grown in stature and ambition. But that was then and this is now and the SAMAs show no sign of letting up. On the 15th & 16th March they are taking over Paisley (in partnership with Renfrewshire Council and Paisley First) with the promise of events, live music, workshops, seminars & spoken word.
On Friday 15th at the Paisley Arts Centre there is a Festival Welcome with writer Chris McQueer and poet Leyla Josephine followed by music from C. Duncan + Special Guests, while over at The Bungalow the Pleasure Heads, CRYSTAL and Sweaty Palms will be taking to the stage.
The Saturday is a full and varied schedule which includes Stuart Braithwaite in conversation, live sets from Megan Airlie & Michael Timmons before the weekend finishes on a high with the inimitable Kathryn Joseph. See the poster above for the full line-up, times and venues.
Here’s what SAMA’s founder Richy Muirhead has to say about the Paisley Takeover, “The festival is jam packed with music events – we’re thrilled to add the likes of CRYSTAL who recently played a sold out King Tuts, Megan Airlie who won Best Acoustic at last year’s awards, author Chris McQueer and lots more! I hope the festival brings a burst of energy to Paisley and excites music fans around the country!”
Tickets are on sale now from £7 – £12 from Eventbrite UK, SAMA’s Website:http://officialsama.co.ukand Paisley Arts Centre 0300 300 1210
As Harper Lee, The Stone Roses, or Sam Raimi will tell you (and that’s a dinner-party I’d like to attend), it’s not easy following up a cultural touchstone. When your debut strikes a chord with a wider public and becomes higher profile than anyone expected then there’s bound to be added pressure to avoid the dreaded sophomore slump. Chris McQueer’s short story collection Hings was just such a debut, one which found its way into the hands of people who don’t normally bother with literary fiction.
As with lain Banks’ The Wasp Factory, Irvine Welsh’s Trainspotting, and Alan Bissett’s Boyracers, Hings is a book with a reputation which spread in no small part by word of mouth, praised and quoted in the workplace and passed around the playground. It received mainly glowing reviews on sites such as this one, and in print, but so do many other books which don’t manage to achieve the profile Hings did.
In the age of social media such a reach can be more readily measured, with people posting pictures holding their copy on a variety of social media, often accompanied by messages professing that it’s the first book they’ve read in ages, a claim also made for those mentioned above. It feels as if Chris McQueer is reaching an audience outside of the usual Scottish literary scene in a manner not witnessed since Allan Wilson’sWasted In Love received similar attention in 2011. But now we get to find out if McQueer can follow Hings. That’s the question which inevitably arises with the publication of his latest collection, HWFG. Continue reading →
For SWH! podcast 101 Ali speaks to the writer Chris McQueer about his latest collection of short stories, HWFG. If you haven’t heard of or read Chris’ work, where have you been? His previous book Hings took the world of Scottish writing by storm announcing a fresh and exciting new voice. HWFG, (Here We Fucking Go, if you haven’t worked it out yet,), sees him build on the success of Hings introducing readers to new characters as well as bringing back firm fan favourites.
It was fascinating to hear what inspired Chris to write, his influences, the difficulty in following a hit, the highs and lows of being reviewed, the importance of writing not only what but who you know, the crucial relationship between writer and editor, how vital a great cover is (see right), and his plans to branch out from writing fiction. He also kindly reads ‘Brexit’, one of his new stories, which gives the uninitiated a great introduction to Chris McQueer and his work.
For those of a sensitive nature, I should say, the podcast contains the sort of language you might expect when discussing a collection with the full name Here We Fucking Go, for once fully earning the ‘Explicit’ tag iTunes often gives us, seemingly randomly. Continue reading →
For 10 days in March (15th – 25th) Glasgow’s Book Festival Aye Write! is the only show in town for lovers of fact, fiction, food, poetry, prose, biography, comics, and any other form of writing that takes your fancy. While the majority of events remain at the festival’s spiritual home of The Mitchell Library there is also plenty occuring at the CCA, Glasgow Royal Concert Hall, Tramway, City Halls, GFT and Glasgow University Chapel. But it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in the city.
You can also keep up to date with events as they unfold by following @AyeWrite on Twitter or on Facebook. Tickets can be bought here and you can click the links below for further details on the individual events.
Thursday 15th – Stuart David, 7.45 – 8.45pm, University of Glasgow Memorial Chapel
Ex-Belle & Sebastian and current Looper, Stuart David is arguably better known as a musician than a writer, but his debut novel Nalda Said is one of the most-underrated Scottish novels of the last 20 years, and his memoir about his time in Belle & Sebastian, In The All Night Cafe is a must for any Scottish pop music fan. Now his latest novel, Peacock’s Alibi, is being published by Polygon, and SWH!’s very own Ali Braidwood will be in conversation with Stuart on the 15th to discuss the new book, the true story of Peacock Johnson, the Ian Rankin connection, and so much more. If you have a burning question you’ve always wanted to ask Stuart please come along as this is your chance to do so.
For the first podcast of 2018 Ali went to Edinburgh to talk to Heather McDaid and Laura Jones who are behind the innovative and acclaimed independent publishers 404 Ink. If you aren’t yet familiar with the name then where the hell have you been?
You may have had your fill of ‘Books Of The Year’ lists, but we like to think that Scots Whay Hae!’s selection is small, beautifully formed, and well worthy of your attention.
These are the books which stood out against stiff competition in 2017. The list could easily have been longer but we like to stick to a traditional Top Ten. Consisting of five novels, two short story collections, a musical/historical biography, a collection of journalism, and a peerless book of essays, they take you to Memphis, Airdrie, Springboig and the Alsace, with detours to Firhill, London during the Blitz, New Mexico and Millport along the way. Taken as a whole they are a testament to the breadth of artistic and cultural imagination at large in Scotland today. Need further convincing? Here’s what we thought at the time:
This Is Memorial Device is spot on in terms of time and place, but it’s so much more than that. It’s rare for a writer to capture both in a manner which avoids nostalgia and feels relevant, but Keenan manages to do so. This is a novel which is about what it means to be young, about the hows and whys – the when and where is less relevant. It’s about youth. Real youth, not the sort of arrested development that is all too common these days. I’ve read it twice and will do so again before too long. At the age of 46 it’s had a palpable effect on me. If I had read it when I was 15, (as happened with The Busconductor Hines and The Wasp Factory), there’s every chance it would have changed my life. That’s your definition of a cult novel right there.
Being funny on the page is notoriously difficult to pull off. There are good reasons most comedians don’t write comedy novels, or at least good ones. If they do write fiction it’s often to show their serious side (Rob Newman, Alexei Sayle and Stephen Fry being three of the best), or they are just not funny (Ben Elton). The most successful books by comedians are nearly always autobiographical, which says much on many levels. The writers which make me laugh the most are all writers first – Hunter S Thompson, Joseph Heller, Douglas Adams and Chris Brookmyre, to name just a few.
Although Chris McQueer made a name for himself on the spoken word circuit, he is undoubtedly a writer first and foremost. Hings is his first collection of short stories and before we go any further I can report it is funny. Properly, laugh-out-loud, funny. However, as you read you realise there is more going on.
As Ewan Denny suggests on the cover (see above), the influence of Limmy and Irvine Welsh is apparent in Hings, but more the former’s Daft Wee Stories and TV show than Trainspotting, and it is all the better for it. There are many who have tried in vain to recapture the lightning in a bottle which was Trainspotting, including Welsh himself, but it’s so much better for any writer to go their own way, and that’s what McQueer has done in some style. Continue reading →