For our Review of the year in Scottish writing and all things bookish Ali was once again joined by Booky Vikki herself, Publishing Scotland’s Vikki Reilly, to discuss their favourite books of the year and the state of Scottish writing and publishing. While doing so they try to identify the themes and trends of the last 12 months, look into what’s coming in the new year, forget the names of things (mostly Ali, to be fair), talk music, “Mayhem”, and explain why 2018 belonged to Muriel. It was quite the year and hopefully we go some way to summing it up and rounding it off for you.
The podcast is the perfect companion piece to our earlier post ‘The Good Word: Scots Whay Hae!’s 10 Best Books Of 2018 (+1)…’ (see right), where you’ll be able to link to reviews of many of the books and writers that Vikki and Ali discuss. There’s a lot of love for writers and publishers alike, and although we didn’t manage to cover it all, we hope you’ll find something to pique your interest. Continue reading
One of the most welcome literary surprises of last year was Charles E. McGarry’s novel The Ghost Of Helen Addison. It introduced the world to private investigator, and bon viveur, Leo Moran, whose gift of second sight is both a blessing and a curse. To say this is a Glaswegian gumshoe with a difference is ridiculous understatement writ large. Quite simply, you will never have met a character like Leo Moran. In the SWH! review we said, “With The Ghost Of Helen Addison Charles E. McGarry has presented a new voice to Scottish crime fiction, and a memorable character to match. I’m looking forward to seeing how these novels develop…”. Well, look no further as the man is back in The Shadow Of The Black Earl.
If you liked the first Leo Moran mystery you are going to love this one. After a particularly upsetting funeral the dapper detective goes to stay with his now firm friend, the extravagantly named Fordyce Greatorix, at his family home of Biggnarbriggs Hall. There he encounters a range of eccentric characters who would not be out-of-place in an Agatha Christie novel. What unfolds is a whodunit which delves into the world of the occult, masonic and pagan rituals, and police corruption, as well as touching on every one of the Seven Deadly Sins, and then coming up with a few more. If you didn’t read the previous novel you may think this is business as usual in terms of Scottish crime fiction. You’d be wrong. With this second outing what’s now clear is that Leo Moran mysteries are something entirely different altogether. Continue reading
Against all expectations, the Christmas/ New Year period allowed for the reading of some of the books which have been sitting on SWH!’s ever present ‘must-read’ pile, and the next few posts will review at least a couple of those. First up is Charles E. McGarry’s The Ghost Of Helen Addison, which introduces us to Leo Moran, a Glaswegian private eye who is unlike any you’ll have met before, which is in itself a reason for cheer.
In the world of crime-fiction, and Scottish crime-fiction in particular, the belief persists that the genre is one which relies on familiar tropes, stereotypes and cliches. However, I would hope that the work of many of the writers of crime who have featured on these pages, including Louise Welsh, Graeme Macrae Burnet, Douglas Skelton, Michael J. Malone, Alice Thomson and Russel D. McLean, would have changed readers’ preconceptions if they persisted. All of those mentioned, and many others, have very distinct styles and are wildly and wonderfully different to one another. If you’ve yet to embrace Scottish crime fiction, you’re missing out. Continue reading