Black Magic: A Review Of Robin Robertson’s The Long Take…

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There are regularly heated discussions about the worth of prizes in art and culture. Recently announced, the Scottish Album of the Year longlist provoked debate about the worthiness not only of those on the list, but of the nature of the award itself as a very long, (and very strong), list of eligible albums was whittled down further to twenty by a chosen group of critics, journos, and others (of which I should declare that SWH! was one).

The arguments for are that the chosen records and musicians will benefit from the publicity, reach a greater audience as a result, and showcase the strength of Scottish music at the moment. Among the arguments against is that all such awards reduce art and culture to a competition, one which pits artists against each other, and which, at least according to one well-known and respected musician, can lead to anxiety and stress amongst those who find their music being judged in this way. Continue reading