New Musical Success: A Review Of The Best In New Music…

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The nights may be drawing in but the (in-a-just-&-fair-world-they-would-be) hits keep coming. As we approach the time when, love them or hate them, sites such as this one start to contemplate compiling their end-of-year lists it’s important that the new music released in 2018’s latter months receives proper recognition and its due. It’s not just for Christmas, you know.

With that in mind we have a suitably reflective selection of songs, welcoming back old friends, and more recent ones. In fact everyone mentioned below has appeared in a previous SWH! music review at some point, and we make no apologies for that. A couple made their first appearance just last month, but with others we go back years. It all makes for a fine selection and collection of tunes, some of which will move you, and others which will make you move.

Are you sitting comfortably? Then let’s begin. The new single from The Eastern Swell has got me reminiscing hard. Look at the cover above. A child dressed as an astronaut, holding a Spacehopper (I believe taken from the cover of Andrew Crumey’s novel Sputnik Caledonia), the clock from Glasgow’s Tron Theatre, The Olympia Theatre in Bridgeton – it couldn’t be more nostalgic for Glaswegians of a certain age, and it gives you an idea of what awaits you when you put the needle on the record, or, in this case, press play.

It’s called ‘Down Again By Blackwaterside’, from the album Hand Rolled Halo, and it’s their take on, and re-imagining of, an often covered trad-folk ballad which influenced musicians from Bert Jansch through Led Zeppelin to Altan. The Eastern Swell’s version moves me for reasons I can’t quite comprehend, speaking to something deep-rooted in my cultural and musical memories. I think it’s to do with the traditional element – music from the land and of the land, story telling and song handed down through generations rather than heard on radio or TV.

Add to that the accompanying video which is reminiscent of, and may even be, an Eastern European children’s animation from my youth, and I get a kick of nostalgia writ large. Whatever the reasons it’s powerful stuff. After my first play I immediately shared the song with my brother. It is like finding an old holiday photo or childhood recording – something which can be enjoyed by everyone, but extra special to those with whom you shared those times. This is ‘Down Again By Blackwaterside’:

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New Musical Success: A Review Of The Best In New Music…

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2017 has produced great music of all shapes, sizes and sounds, but the singer/songwriter has had a particularly fine year. Albums by Mark W Georgsson, Siobhan Wilson, Annie Booth, Stephen McLaren, and Blue Rose Code (ne: Ross Wilson) have proved to be among the better records of the year, and the recent Autumnal releases have continued this trend. So much so that this latest review is a bit of a singer/songwriter special, with a couple of bands sneaking in at the end for balance.

Glasgow is the latest album from Findlay Napier, whose work I hope is familiar to most readers, but if it isn’t then Glasgow is the perfect place to start. Known as one of the finest folk writers and musicians around, this is a record which seems more personal than previous work, and is all the more powerful for it. It’s a place where folk meets indie in a mood of celebration and reflection, and aside from his original compositions there are covers of two Glaswegian classics  – Hamish Imlach’s ‘Cod Liver Oil & The Orange Juice’, and The Blue Nile’s ‘A Walk Across The Rooftops’. It’s as if someone had told him what I want for Christmas. Continue reading