Two of the most challenging types of writing are crime and comedy. For the first you have to avoid repeating well-worn clichés while still making it as recognisably belonging to the genre. For the second, well, it’s got to be funny – perhaps the most difficult trick to pull off on the page. A successful crime/comedy, therefore, is something which is to be celebrated.
Christopher Brookmyre and Douglas Skelton are two writers who get the balance right, combining the dark side of life with the blackest of comedy, but they are rare. A worthy addition to that niche section of your bookshelves arrives in the shape of Stuart David’s latest novel Peacock’s Alibi. Set in Glasgow, and with an unerring ear for what the word on the street should sound like, Peacock’s Alibi is like a lost Taggart script as written by John Byrne. Like Byrne, David writes dialogue that isn’t how people speak, but how they wish they spoke – funnier, wittier, and with a better line in the last word. Continue reading
For the latest podcast, Ali spoke to Aye Write! Book Festival programmer, Bob McDevitt (right) in Glasgow’s CCA (which explains the background ‘atmosphere’). This year’s festival starts on Thursday 15th March, and the two discuss the history of the festival and how it has gradually spread its influence throughout the city from its home at the Mitchell Library. You also learn about what to expect this year, Bob’s personal highlights, the challenges of festival programming, his similar role for Bloody Scotland and the Pitlochry Winter Words Festival, and much, much more.
There are mentions for individuals as diverse as Brett Anderson, Gail Honeyman, Sir James MacMillan, Chris Bonington, Scotland’s Makar Jackie Kay, Dr Adele Patrick, and even some Men In Kilts. As a precursor to Aye Write! 2018 it’s the perfect listen, especially when married to the SWH! preview which is over at the website right now. Continue reading
For 10 days in March there is only one place to be as Glasgow’s Aye Write! takes up its annual residency in the Mitchell Library between 9th-19th to cement its reputation as one of the best book festivals around. Pedants will point out that there are also events at the CCA, Kelvin Hall and Royal Concert Hall, but it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in this city.
Here are a few selected highlights to give you something to think about, but you can peruse the full programme at your leisure here. They are all at the Mitchell unless stated otherwise. Continue reading
Stepping into its second decade with well-earned confidence and style, Glasgow’s Aye Write! festival is a must for all book addicts and lovers of literature, with this year’s programme promising something for everyone.
All life is here, with authors talking food, music, love, politics, money, evolution, revolution and Star Trek.
Here are a few selected highlights to give you something to think about, but you can peruse the full programme at your leisure here.
You can also keep up to date with events as they unfold by following on Twitter or on Facebook. Tickets can be bought here.
One of Scots Whay Hae!‘s books of 2015 was Stuart Cosgrove’s Detroit ’67: The Year That Changed Soul Music, and when Stuart talked about that book on the SWH! podcast he also mentioned that his next venture was going to be a history of Northern Soul, one of his great loves. That book is called Young Soul Rebel, and he will be talking about it on Friday 11th March. Cosgrove is steeped in soul music and this is a must for all music lovers.
On the same day music journalist Barney Hoskyns is in town to talk about Woodstock and the musicians and characters drawn to that place. On Saturday 12th, Cosgrove and Hoskyns’ fellow NME alumni Paul Du Noyer will discuss his book on Paul McCartney which is based on a series of conversations the two have had over the decades. McCartney is sometimes portrayed as a figure of fun these days, but he is one of the greatest musicians of the 20th century, and Du Noyer has had almost unprecedented access for this book. Continue reading
I don’t wish to be cruel, or at least I don’t enjoy it, but for a few years now the Aye Write! Book Festival has felt like it had lost its way somehow. While there continued to be must attend events, the programming appeared to lack focus and thought, with panels often featuring writers with little in common, or there were similar writers appearing in different rooms at the same time, splitting potential audiences.
I’m genuinely delighted to say, having taking time poring over this year’s programme, that Aye Write! seems to have rediscovered its mojo. You know a festival is on the right lines when it threatens to bankrupt you as you add tickets to your basket. While all successful events rely on a good team, kudos must surely go to Bob McDevitt, this year’s guest programmer, for presiding over such sterling work.