The Music Man: The Scots Whay Hae! Podcast Talks To Vic Galloway…

DomOgcBWwAAmJh6.jpg-large.jpegFor our 100th podcast we thought long and hard about who to ask and we kept coming back to one name, Mr Vic Galloway. With the recent publication of his superb book Rip It Up: The Story Of Scottish Pop, written to coincide with the National Museum of Scotland’s exhibition and the TV show of the same name, it seems fitting to talk to a man who helps shape the nation’s musical tastes.

Ali headed down Leith Walk to one of Edinburgh’s finest live venues and bars, The Leith Depot, to meet Vic and what followed was a fascinating chat about the genesis of the book, the structure, what Vic wanted to achieve and if he believes he did so, the joys of  record shops, the spirit of radio, the importance of indie record labels, the SAY Awards, and so much more – including mentions for The Dog Faced Hermans and TTF!

Vic’s radio shows, along with those of Roddy Hart and Nicola Meighan, are a sign of just how healthy the state of the nation is musically, and it was an absolute pleasure to talk all about it. We hope you enjoy  listening to the chat as much as we did recording it.

If you are new round these parts there is quite a substantial back catalogue of podcasts for you to discover (99, to be exact). If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Thanks to everyone who has taken the time to listen to any of our 100 podcasts.

Pop Life: The Scots Whay Hae! Podcast Talks To Carla J. Easton…

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For the latest SWH! podcast Ali caught up with musician Carla J. Easton to talk about her new album Impossible Stuff, which is released on the 5th October on Olive Grove Records.

As well as explaining the Canadian roots of the record, and how time spent in residencyimgID106497291.jpg.gallery there changed her life, she also talks about the importance of home, her many collaborations, her musical history, Teen Canteen (right), Ette, and the documentary she is working on with Blair Young about women pioneers of Scottish pop.

Carla is one of the most innovative and interesting musicians working today and it was a pleasure to talk to her and get a better understanding of how and why she does what she does. If you love music you just have to take a listen, but it’s also a fascinating insight as to what is involved in the artistic process. Continue reading

A Life In Film: The Scots Whay Hae! Podcast Talks To May Miles Thomas…

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4oyoqq68z6zvhepr87pdFor the latest podcast Ali spoke to writer & director May Miles Thomas (left) about her incredible film Voyageuse and the issues and themes it addresses, such as family, sibling rivalry, ageing, grief, and much, much more.

During their chat the two also discuss different approaches to making film, May’s previous projects, using setbacks as inspiration, the problem in getting heard in a crowded market, and the primary importance of story in her work.

It’s a fantastic listen, one which is essential for anyone who is interested, not only in the process and reality of filmmaking, but all aspects of creating art in Scotland. There is also mention of Hitler, satanism in Glasgow, Sian Philips, and the CIA. What more could you want from a podcast?

If you are in London on Friday 14th you can see Voyageuse on the big screen as it is showing at the Picturehouse Central, when there will also be a Q&A with May Miles Thomas and Dame Sian Philips. For everyone else, you can watch the full film over at Vimeo as well as view the trailers for other productions from Thomas’ Elemental Films, and the full-length version of the much discussed The Devil’s Plantation. If you visit the latter’s website you will find all the information you need to follow in Harry Bell’s footsteps (and for that to make sense you’ll have to listen to the podcast first). In the meantime, here’s the trailer for Voyaguese: Continue reading

American Horror Story: The Scots Whay Hae! Podcast Talks To Andy Davidson…

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For the latest podcast Ali met up with the American novelist Andy Davidson before his event at The Edinburgh International Book Festival. In an ironically dreich Charlotte Square the two discuss Andy’s terrific debut novel In The Valley Of The Sun which is among the best of the year so far.

DhhU22jWAAAKJSQPublished on the Contraband imprint of Saraband Books,  In The Valley Of The Sun is set in the small towns of the Texas desert. We’re calling it a vampire thriller unlike any other, but, as you’ll hear, that’s not necessarily how Andy sees it.

If you want a point of reference think Kathryn Bigelow’s 1987 film Near Dark, or even Jim Jarmusch’s 2013’s Only Lovers Left Alive, among many other cinematic and literary influences. Dripping with blood, sweat and tears, it is as shocking as it is compelling, and in Travis Stickwell Davidson has created an anti-hero for the ages. If you are a fan of horror and/or crime fiction then you don’t want to miss out on this one. Continue reading

Whisky Business: The Scots Whay Hae! Podcast Talks To Rachel McCormack…

chasing-the-dram-9781471157233_lg.jpgFor the latest podcast Ali met writer and broadcaster Rachel McCormack at Glasgow’s Iberica restaurant to talk about her recent book, the excellent Chasing The Dram: Finding The Spirit Of Whisky.

Over a glass of wine the two discuss Rachel’s book, their first memories of whisky, the perception of the drink at home and abroad, the mythology which has grown around it, the numerous ways it relates to Scottish history and culture, and a whole lot more. Put simply, she separates the truth from the fiction, and there is plenty of both when it comes to our original national drink.

The talk also turns to food, travel, friends, family, memory, and how they are intertwined. It’s a fascinating conversation on how drink and food play a vital role in our lives beyond simply being fuel, and why it should be seen as culturally significant for individuals as well as on a societal and national level.

A food expert, with a special love and knowledge of Spanish cuisine, Rachel (below) is a regularMcCormack-Author-Cropped- panelist on BBC Radio 4s The Kitchen Cabinet and has broadcast on From Our Own Corespondent, the Food Programme as well as appearing as an expert guest on BBC Radio 2 on both the Simon Mayo show and the Chris Evans show.

She has also written for, amongst others, the Evening StandardBBC Vegetarian Food Magazine, New Statesman, the Financial Times, RED magazine and the Guardian. Bringing all that experience and knowledge to the podcast, it was a real treat to talk with Rachel and even if you’re not a whisky drinker we’re sure you’ll still find something to interest you. Continue reading

Talking Movies At GFF17 – #3: An Interview With Bodkin Ras Director Kaweh Modiri…

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The third of our interviews with directors at this year’s Glasgow Film Festival is with Kaweh Modiri, a Dutch filmmaker of Iranian descent. Strange then, perhaps, that his film Bodkin Ras is set in the town of Forres in the north of Scotland, but such movement of people and place has been a feature of the films we have been highlighting at at this year’s festival, and those who have made them.

Our previous interviews have been with David Graham Scott, whose film The End Of The Game begins in Caithness and then moves to South Africa, and Hope Dickson Leach, who wrote The Levelling in Glasgow but filmed it in Somerset. You could make the claim, so I will, that they typify the Glasgow Film Festival in that they mix home with the international. Continue reading

Talking Movies At GFF17 – #2: An Interview With The Levelling Director Hope Dickson Leach…

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Hope Dickson Leach’s excellent The Levelling is at the GFT from the 12th – 18th May. Below is an interview with the director from earlier this year…

The Glasgow Film Festival offers something for everyone, but each year there are films which arrive having  created a buzz through word-of-mouth and critical reception. This certainly applies to The Levelling which had its world premiere at the Toronto International Film Festival and it has been earning rave reviews wherever it has been shown. Continue reading

Stranger Than Fiction: The Scots Whay Hae! Podcast Talks To Documentary Maker Lou McLoughlan…

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The latest podcast has Ali talking to director and cinematographer Lou McLoughlan. We could pretend that it has been perfectly timed to coincide with the first week of this year’s Glasgow Film Festival, but in all honesty it’s an interview we’ve been trying to organise ever since watching Lou’s fantastic feature documentary 16 Years Till Summer, one of the best films of 2016.

You can read the Scots Whay Hae! review here, and see the trailer at the foot of this post, but it’s worth listening to the director talk about the making of it first as it will add to the viewing experience, and spoilers are carefully avoided.

The two also talk about the practicalities and difficulties of making documentaries, and then with getting them to an audience, particularly a Scottish one.

There is also chat about Scottish storytelling, the Highlands and Islands as a ‘seductive space’, the importance of music to a film, how filming real life will always offer up the unexpected, and much, much more. Continue reading

Talking Movies At GFF17 – #1: An Interview With The End Of The Game Director David Graham Scott…

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David Graham Scott’s The End Of The Game is described as “A bizarre journey to Africa with a vegan filmmaker and an old colonial big game hunter.” In truth, that description just scratches the surface of what may prove to be the most controversial film at this year’s Glasgow Film Festival, most probably for people who only engage with it on the most simple and perfunctory level. Those who are willing to look beyond the perceived stereotypes which that description suggests will discover a layered and complex picture of a man out of time facing his own mortality, and the disappearance of all that he once held as certain.

It is also as much about the director himself and his growing relationship with his leading man and his beliefs, and how they appear to directly oppose his own. Scott avoids bringing his own preconceptions to the making of the film, and that’s the way an audience should approach it as well. Continue reading