Under The Skin: The Scots Whay Hae! Podcast Talks To Elle Nash…

For the latest SWH! podcast Ali headed to Edinburgh to speak to the American writer Elle Nash who was in the country for the city’s International Book Festival.

The conversation focused on her powerful novel Animals Eat Each Other, which is published by 404 Ink. The two discuss the novel’s themes and content, Elle’s intentions, how her style developed, the importance of names and language, the psychology of desire, the quest for identity, and much more.

You’ll also hear 404 Ink’s Laura Jones explaining why they felt they had no choice but to publish Elle once they had read her book. We consider it an instructive and insightful discussion which will interest writers, readers, and book lovers of all kinds. Have a listen and see if you agree.

Here’s an extract from the SWH! review of Animals Eat Each Other,
“Elle Nash has written the literary equivalent of a great Punk single – fast, furious, and unforgettable, one which sticks in your head and creeps beneath your skin. Animals Eat Each Other – you couldn’t ignore it if you tried.”
And you can read the full review here…

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

 

The Scottish Opera Interviews #3: Programme Editor, David Kettle

For the third of our series of podcasts with members of Scottish Opera we spoke to the Programme Editor, David Kettle about his role and what it entails. He explains how he came to the job, the approach to writing a programme, the balance required between information and other articles and content, the collaboration required with the rest of the company, and much more.

If you have ever wondered, or even if you haven’t, how Scottish Opera’s beautiful programmes are put together then your questions are answered here. Below are just three examples that David has been involved with.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will be out in late August.

You can find all The Scottish Opera Podcasts in one handy place.

Melody Makers: The SWH! Podcast Talks To Half Formed Things…

Cover for ‘To Live In The Flicker’, credit – Louise McLachlan

For the latest podcast Ali went to Edinburgh to talk to Edwin McLachlan and Morgan Hosking, two members of Half Formed Things (unapologetically one of SWH!’s favourite bands). They talk about their astonishing album To Live In The Flicker, the origins of the band, what it’s like to work with close friends and family, the importance or otherwise of place, their shared philosophy, themes, influences, and a whole lot more.

Half Formed Things – (l-r, Morgan, Matthew, Nici, Edwin), credit – Louise McLachlan

You’ll also get two tracks from the album which will give you a clear idea as to just how good it is. And if the other two members of the band, Nici Hosking and Matthew Bakewell, disagree with any of what was said we are more than willing to record a follow up to give their side of the story! If you are interested in making music, or in how music is made, then this is a must listen, and one of the most in-depth and interesting podcasts to date.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Here’s an extract from SWH!’s review of To Live In The Flicker,
“From the opening ‘Flicker’ to the closing ‘The Calm’ you are taken to another place by a soundtrack which makes your head swim – with instruments being used for different purposes – drums and cymbals take the lead, piano riffs keep the rhythm, and harmonies (oh, the harmonies!) becoming an instrument all of their own.”
And you can read the full review here.

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

Man O’ Pairts: The Scots Whay Hae! Podcast Talks To Kevin P. Gilday…

For the latest podcast Ali headed to Glasgow’s Tron Theatre to talk to poet and polymath Kevin P. Gilday about his Edinburgh Fringe show ‘Suffering From Scottishness‘, his new collection of poetry ‘Sad Songs For White Boys‘ (right), his work with Cat Hepburn as the instigators and organisers of spoken word house party Sonnet Youth, his band Kevin P. Gilday & the Glasgow Cross, and a whole lot more.

It’s a fascinating chat, one which, when taken as a whole, is an instructive insight into what it takes to make your living as an artist today. All that and Kevin reads his poetry as well – we always aim to please!

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next podcast will be with you very soon, but in the meantime you can also check out our series of Scottish Opera Podcasts.

The Scottish Opera Interviews #2: Head Of Music, Derek Clark

For the second of our series of podcasts with members of Scottish Opera we spoke to the Head of Music, Derek Clark about his role and what the job entails. Derek talks about the how he came to the job, how it has changed over the years, and how it is essential to Scottish Opera.

He discusses programming, collaboration, and the difference between approaching contemporary work and the classics. It’s a fascinating insight into the working life of someone central to Scottish Opera and their productions.

These podcasts attempt to give greater understanding into the workings of Scottish Opera and the different roles of those involved, lending a rare and engaging appreciation of Scotland’s largest national arts company.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

The next Scottish Opera Interview will be with Programme Editor David Kettle and it will be out in late July…

You can find all The Scottish Opera Podcasts in one handy place.

The Scottish Opera Interviews #1: SOYC Artistic Director Jonathon Swinard…

For the latest podcast Ali headed to the home of Scottish Opera in central Glasgow to talk to Jonathon Swinard, the new Artistic Director of the Scottish Opera Young Company (SOYC) ahead of their production of Gluck’s Orfeo & Euridice (see right) at the Beacon Arts Centre in Greenock.

Over the past few years Scots Whay Hae! has reviewed many of Scottish Opera’s productions so it was a pleasure to talk to someone at the heart of the company, especially one whose concentration is on youth and the talent of tomorrow. 

As Jonathon explains, the Young Company offers the opportunity for the next generation to perform on stage, work with an orchestra, and hone their craft helping to create a legacy with real impact. The two discuss the aims of SOYC and Jonathon’s role in achieving those, overcoming preconceptions, and how Scottish Opera is managing to reach out to all ages and areas in Scotland.

Although shorter than usual, it’s a podcast which manages to pack a lot in offering a rare and fascinating insight into one of Scotland’s cultural institutions, and we hope it will encourage you to give Opera a try if you haven’t already.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). 

You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Thanks to Scottish Opera’s Press Officer, Emma Ainley-Walker, for arranging the interview with Jonathon, and credit to Sally Jubb for some of the images used.

Our next podcast will be with you soon, so don’t go too far…

 

Tell It Like It Is: The Scots Whay Hae! Podcast Talks To Nadine Aisha Jassat…

For the latest podcast Ali spoke to the poet Nadine Aisha Jassat about her new collection of poems, Let Me Tell You This. It starts with a reading from Nadine, and the conversation is interspersed with further examples throughout which should give you a clear idea as to what makes this book so special.

During their discussion the two touch on narrative, family, the possibilities for poetry, the importance of rhythm, voice & language, why she is glad to be published by 404 Ink, and what these poems mean to her, and others. It’s one of the most engaging podcasts to date, and we hope you will be inspired to investigate Nadine’s work for yourself, and consider it with the care and attention it deserves.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

And, as discussed in the podcast, here is Hopscotch, the short film based on Nadine’s poem of the same name:

Be here soon for the next Scots Whay Hae! Podcast, which, undoubtedly, has a lot to live up to…

Music Matters: The Scots Whay Hae! Podcast Talks To L-space…

L-space

For the latest podcast Ali spoke to Lily, Gordon and Dickson from L-space who are, as regular readers of SWH! will know, one of our favourite bands. Their album, Kipple Arcadia (on LNFG – see below) was one of the best debuts of recent times and no discerning home should be without it. The talk moves in many directions, including discussions on expectation versus reality, how their sound and songwriting developed, contrapuntal melodies, the thinking behind the themes explored in the music, all things kipple, and what the future may hold, not just for the band but for all of us.

Kipple Arcadia

The sign of a good podcast is that time flies, either when recording or listening, and if this theory holds up then you are in for a treat. There are also fine examples of the music they make with ‘Home Sweet Home’ opening proceedings and the exclusive play of two new tracks, ‘Moving Traffic Overhead’ and ‘Waking Up Bathed In The Light Of Things You Can’t Afford’ bringing things to a fitting conclusion. Quite simply, this is a podcast not to miss.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Our next podcast will be with you very soon as it’s a Glasgow Film Festival special, so don’t go too far…

LP Records & Radio Days: The Scots Whay Podcast Talks To Lorenzo Pacitti…

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Lorenzo outside LP Records (image LP Records/Facebook)

For the latest podcast Ali visited LP Records in Glasgow’s West End to talk to LP himself, Lorenzo Pacitti. The two talk about the history of his LP Record store, the move into becoming a label, (releasing music from Wesley A. Chung, American Clay, and Codist), and his plans to start LP Radio, a station which will be based in the store.

There are also tales of Nicki Minaj, the vital role of darts in the LP story, time spent in Texas and Seattle, the pros and cons of the vinyl resurrection, and his vision of the perfect radio station. For anyone interested in the record business – the records and/or the business – it’s a must listen.

To keep up with all things LP you can follow on Twitter, Facebook & Instagram. Continue reading

Personal Space: The SWH! Podcast Talks To Vive-La-Rose’s David Luximon-Herbert…

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For the latest podcast Ali went through to Cabaret Voltaire in Edinburgh to talk to musician David Luximon-Herbert, better known as Vive-La-Rose, about his latest album For She Who Hangs The Moon, which is destined to be one of the best of 2018.

0013949348_10The two talk about the making of the record, influences, themes, tone, space, the expectations David has, and the critical reaction so far. Soulful, bittersweet, fragile, yet with a power that is undeniable – it’s an album which is clearly intensely personal yet also universal, reflecting on life, love, and regret, but with an eye to the hope the future holds.

In a recent review of the latest double A-side single ‘The Watchmaker’ and ‘Interior Rules’ SWH! said,  “For She Who Hangs The Moon is the perfect soundtrack for the wee small hours of the morning, when thoughts turn to times past, both good and bad.” Couldn’t have put it better myself. Continue reading