Films & Festivities Down The Firth: A Preview Of The Dunoon Film Festival…

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Now firmly established as one of Scotland’s finest, the Dunoon Film Festival is back this coming weekend (9-11 November) with a fantastic line-up. Here is the SWH! preview, with 10 suggestions for you to ponder, but you can check out the full programme here.

Tickets are incredible value for money, either £5, £3 or free, with the option of getting a festival pass for £30 which lets you fill your filmic boots and see whatever takes your fancy.

As well as tremendous opening and closing films, there are free screenings, workshops, cinema for children, and even the promise of a scratch-&-sniff version of Wallace & Gromit: The Curse of the Were-RabbitIt’s well worth a trip doon the watter for the following reasons and more.

There’s rare footage from one of Scotland’s finest filmmakers, a musical zom/rom/com/ where La La Land meets Shaun Of The Dead, Harry Dean Stanton in one of his final screen roles, a live score from The Badwills to a classic Italian silent movie, the Scotsman who paved the way for Charlie Chaplin, the master of stop-motion cinema, a documentary about one of Scotland’s greatest (if controversial) sportsmen, Josie Long’s eagerly awaited Glasgow-based debut, and the festival closes with a 2018 BAFTA winning feature. All this and a showing of SWH’s favourite film of all time (and you can read just some of the reasons why here) followed by an ’80s disco. Who could ask for more? Not us. See you on the dance floor…

Where I Am is Here: Margaret Tait 100 – Free Event – 12pm / Fri 9 November / Pier Building

Anna and the Apocalypse – 4.30pm / Fri 9 November / Studio Cinema

Lucky – 7pm / Fri 9 November / Studio Cinema

Silent Divas: Assunta Spina – with live score – Doors: 8pm, film: 8.30pm / Fri 9 November / Dunoon Burgh Hall

Billie Ritchie: The Man Who Made the World Laugh – Free Event – 11am / Sat 10 November / Pier Building

Ray Harryhausen: The 7th Voyage of Sinbad and Other Fantastic Tales – 4.30pm / Sat 10 November / Studio Cinema

Gregory’s Girl with 80s Disco! – Doors: 8pm, film: 8.30pm / Sat 10 November / Dunoon Burgh Hall

Time Trial – 12.30pm / Sun 11 November / Studio Cinema

Super November – 2.30pm / Sun 11 November / Studio Cinema

Nae Pasaran – 6.30pm / Sun 11 November / Studio Cinema

That’s a cracking selection, I hope you agree, and there’s so much more on offer. Since it’s inception in 2013, the Dunoon Film Festival continue to go from strength to strength.

A Life In Film: The Scots Whay Hae! Podcast Talks To May Miles Thomas…

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4oyoqq68z6zvhepr87pdFor the latest podcast Ali spoke to writer & director May Miles Thomas (left) about her incredible film Voyageuse and the issues and themes it addresses, such as family, sibling rivalry, ageing, grief, and much, much more.

During their chat the two also discuss different approaches to making film, May’s previous projects, using setbacks as inspiration, the problem in getting heard in a crowded market, and the primary importance of story in her work.

It’s a fantastic listen, one which is essential for anyone who is interested, not only in the process and reality of filmmaking, but all aspects of creating art in Scotland. There is also mention of Hitler, satanism in Glasgow, Sian Philips, and the CIA. What more could you want from a podcast?

If you are in London on Friday 14th you can see Voyageuse on the big screen as it is showing at the Picturehouse Central, when there will also be a Q&A with May Miles Thomas and Dame Sian Philips. For everyone else, you can watch the full film over at Vimeo as well as view the trailers for other productions from Thomas’ Elemental Films, and the full-length version of the much discussed The Devil’s Plantation. If you visit the latter’s website you will find all the information you need to follow in Harry Bell’s footsteps (and for that to make sense you’ll have to listen to the podcast first). In the meantime, here’s the trailer for Voyaguese: Continue reading

You Have Been Watching…You Were Never Really Here.

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Lynne Ramsay is to film what The Blue Nile are to music – discuss. She has made four films in 18 years, and it’s been seven between her last, We Need To Talk About Kevin, and her latest You Were Never Really Here. The Blue Nile released their four albums over 20 years, with the longest gap being 8 years between Peace At Last and High. Most importantly both proved to have put their time to good use, producing work which is of the highest quality in their respective fields.

You Were Never Really Here proves, if anyone were in any doubt, that Lynne Ramsay is one of the finest filmmakers around. From her unforgettable debut Ratcatcher, through Morvern Callar (one of the best ever film adaptations of a Scottish novel), to BAFTA & Global Globe winner We Need To Talk About Kevin, she produced a run of films to rival any other director. Could she keep it up? If you believed the recent rumours and hype surrounding Ramsay (leaving, or being asked to leave, various projects) then you may have thought this unlikely. However, if you simply look at the work – which is what matters – how could you doubt it? Continue reading

Lights, Camera, Action!: A Preview Of Glasgow Film Festival 2018…

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If it’s February in Glasgow it can only be the Glasgow Film Festival, the perfect place for the more discerning film fans to take shelter from the storm while enjoying the best cinema has to offer, old and new.

Running from 21st February – 4th March, it’s a festival which over the years has firmly established itself as one of the very best around.

Scots Whay Hae! will be bringing  you interviews as well as the usual reviews, but before we do here is our annual preview.

2018’s programme has so much to recommend it we couldn’t possibly do anything other than make some considered suggestions here, but you can and should download the full brochure, settle back, and peruse at your leisure.

However, before you do here’s a taste of what’s on offer:

As ever,  there are various categories and strands to guide you towards whatever may be your cup of tea. This year they include Behind The ScenesRebel Heroes, Ireland: The Near Shore, CinemastersLocal HeroesSound & Vision, Modern Families, Stranger Than Fiction, Future Cult, PoineerWindow On The World, Crossing The Line, Pure Baltic and the always popular FrightFest.

Add to those some very special events at appropriate venues, a surprise film, school discos, a wide-selection of Gala events, the Glasgow Short Film Festival, the Glasgow Youth Film Festival, and many Special Guest appearances and interviews.

You can keep updated throughout the festival on Facebook and on Twitter @glasgowfilmfest #GFF18 and you can sign up the the GFT Enewsletter which is not only essential for the festival, but all year round. Continue reading

Scots Whay Hae!’s Alternative Hogmanay Night In, 2017…

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Once again Montgomery Scott raises a glass to see out the old year and ring in the new and that means it’s time for Scots Whay Hae!’s annual selection of New Year’s Eve treats. It’s an alternative to the Hogmanay telly, so if there’s little you fancy on the box there might be something here to your liking.

There’s audio, video, music, comedy, documentary, drama, and more involving some of our favourite folk, including Vic Galloway, Muriel Spark, Alan Cumming, Forbes Masson, Benny Lynch, Peter Mackie Burns, Vikki Reilly and Kristian Kerr, Pocket Knife, Sandie Shaw, and Hamish Imlach. How’s that for a guest list? There’s quite a lot to get through, so without further ado….

We’re going to kick off with a radio documentary from Uncle Vic Galloway all about the past, present, and hopefully the future of Glasgow’s iconic Barrowlands Ballroom, with music from Iggy Pop, Public Enemy, Franz Ferdinand and more. Click the link below for the full programme:

Vic Galloway’s Barrowlands

Next is the chance to watch the infamous film version of Muriel Spark’s novella The Driver’s Seat, which stars Elizabeth Taylor, Ian Bannen, and a cameo from Andy Warhol! You can read Ali’s thoughts on The Driver’s Seat in the latest issue of The Bottle Imp, which may help you decide if the film is for you or not – but, for better or worse, you won’t see a movie like this for some time:

A wee treat now – some rare footage of Kelvinside’s Victor & Barry performing at the Edinburgh Fringe back in the day, with messrs Cumming and Masson on the finest of form. Not the best quality, but that’s VHS for you:

Continue reading

That Was The Year That Was: It’s The Best Of 2017 Podcasts – Part 1 (Film)…

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This year we are recording three separate Best Of 2017 podcasts, one each for film, music, and books. For the first two, Ali and Ian are once again joined by irregular podcast guest and resident film expert Chris Ward, and Scottish music man & manager, Wesley Shearer.

In this, Part I, we concentrate on the films of 2017, and give you some recommendations. As usual, Ali kicks things off talking about his favourite Scottish films of the year, including T2: Trainspotting, Daphne, Benny, The End Of The Game, and Lost In France before Chris and Wesley widen the discussion to talk about the best films they have seen in the last 12 months. As well as their recommendations, they talk about the continuing success of the Glasgow Film Festival, the growing influence of streaming services, the possible threat to cinemas, and more. Continue reading

Screen Break: The Scots Whay Hae! Podcast Talks To Peter Mackie Burns…

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For the latest podcast Ali talks to Peter Mackie Burns (below, right), the director of critically acclaimed new British film Daphne, starring Emily Beecham in the title role, and which has Geraldine James among the support.

The two talk about the film, the collaborative process of building the central peter mackie burnscharacter, the importance of place, the influences on the film, the secret to good casting, Burns’ earlier work, and how he got to this stage in his career. It’s a fascinating insight into the film-making process and much more.

Peter tells you where and when you can see Daphne, which is distributed by Altitude Films and produced by The Bureau, and you can learn all about it, and buy tickets, at Daphne.film. The name of the composer which temporarily slipped Peter’s mind is Sam Beste, and you can listen to the soundtrack by checking out the Spotify playlist.
But before we go any further here’s the trailer for Daphne:

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You Have Been Watching…Benny

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Any informed discussion of the greatest all-time Scottish sports stars will throw up familiar names. Alongside the likes of Alan Wells, Liz McColgan, the Lisbon Lions, Andy Murray, Denis Law, Jackie Stewart and John Thomas ‘Jocky’ Wilson will be that of boxer Benny Lynch. However, the passing of time increases the risk that those who have been members of this elite group for the longest are in the greatest danger of being forgotten. The fact that the Lynch legend has lasted this long is testament to his impact on sports fans and beyond. Like Ali, Leonard, McGuigan and Chavez, he transcended the sport of boxing to become a national icon and hero. But Lynch last fought in 1938, lest we forget.

Andrew Gallimore’s documentary, Benny, which previewed at the Glasgow Film Festival last week, is timely for this very reason. It is not only a reminder of a great boxer, arguably one of the very best, but of a time and place, namely Glasgow in the 1920s and ’30s, which is also in danger of being forgotten. Glasgow was overpopulated, ripe and rotten, and at the heart of it was the Gorbals, which had a population density six-times higher than anywhere else in the city. Continue reading

Talking Movies At GFF17 – #3: An Interview With Bodkin Ras Director Kaweh Modiri…

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The third of our interviews with directors at this year’s Glasgow Film Festival is with Kaweh Modiri, a Dutch filmmaker of Iranian descent. Strange then, perhaps, that his film Bodkin Ras is set in the town of Forres in the north of Scotland, but such movement of people and place has been a feature of the films we have been highlighting at at this year’s festival, and those who have made them.

Our previous interviews have been with David Graham Scott, whose film The End Of The Game begins in Caithness and then moves to South Africa, and Hope Dickson Leach, who wrote The Levelling in Glasgow but filmed it in Somerset. You could make the claim, so I will, that they typify the Glasgow Film Festival in that they mix home with the international. Continue reading

You Have Been Watching…The End Of The Game

 

Our first film review of this year’s Glasgow Film Festival is of David Graham Scott’s The End Of The Game. And what a place to start. When documentary is at its best it trumps fiction every time as it gives us stranger and more telling tales. It is certainly the case that if someone was to write a character such as ‘Sir’ Guy Wallace, the focus of The End Of The Game, then an editor would dismiss him as being unbelievable. But when faced with the real thing, he is impossible to ignore.

He is a man whose story needs a film-maker as fair and even-handed as Graham Scott for audiences to see behind the facade and try to understand just what makes the man who he is. It would have been all too easy for the director to hold his subject up to ridicule. There is a lot of humour in the film, but it is as much pointed to the man behind the camera as to the one it is trained on, and much of it comes from their two very different  worlds colliding. But, as with the likes of fellow documentarian Jon Ronson, Scott tries to understand the personality and the driving passion of his subject. It is the result of an inquisitive mind, and one which is keen to see the best in people, even when initial evidence may prove otherwise. Other filmmakers could learn a lot in terms of approach and perspective Continue reading