Now firmly established as one of Scotland’s finest, the Dunoon Film Festival is back this coming weekend (9-11 November) with a fantastic line-up. Here is the SWH! preview, with 10 suggestions for you to ponder, but you can check out the full programme here.
Tickets are incredible value for money, either £5, £3 or free, with the option of getting a festival pass for £30 which lets you fill your filmic boots and see whatever takes your fancy.
As well as tremendous opening and closing films, there are free screenings, workshops, cinema for children, and even the promise of a scratch-&-sniff version of Wallace & Gromit: The Curse of the Were-Rabbit. It’s well worth a trip doon the watter for the following reasons and more.
There’s rare footage from one of Scotland’s finest filmmakers, a musical zom/rom/com/ where La La Land meets Shaun Of The Dead, Harry Dean Stanton in one of his final screen roles, a live score from The Badwills to a classic Italian silent movie, the Scotsman who paved the way for Charlie Chaplin, the master of stop-motion cinema, a documentary about one of Scotland’s greatest (if controversial) sportsmen, Josie Long’s eagerly awaited Glasgow-based debut, and the festival closes with a 2018 BAFTA winning feature. All this and a showing of SWH’s favourite film of all time (and you can read just some of the reasons why here) followed by an ’80s disco. Who could ask for more? Not us. See you on the dance floor… Continue reading
For the latest podcast Ali met up with the American novelist Andy Davidson before his event at The Edinburgh International Book Festival. In an ironically dreich Charlotte Square the two discuss Andy’s terrific debut novel In The Valley Of The Sun which is among the best of the year so far.
Published on the Contraband imprint of Saraband Books, In The Valley Of The Sun is set in the small towns of the Texas desert. We’re calling it a vampire thriller unlike any other, but, as you’ll hear, that’s not necessarily how Andy sees it.
If you want a point of reference think Kathryn Bigelow’s 1987 film Near Dark, or even Jim Jarmusch’s 2013’s Only Lovers Left Alive, among many other cinematic and literary influences. Dripping with blood, sweat and tears, it is as shocking as it is compelling, and in Travis Stickwell Davidson has created an anti-hero for the ages. If you are a fan of horror and/or crime fiction then you don’t want to miss out on this one. Continue reading
From the 11th – 27th August in Edinburgh’s Charlotte Square Gardens (and George Street) once again becomes the place for book lovers to meet, greet, and be merry as the Edinburgh International Book Festival takes up its annual residence. It’s always an oasis of calm and conversation in a city gone daft, and it is one of SWH!’s favourite places to be.
There’s a lot of great events to choose from, so to help you find something just for you here are Scots Whay Hae!’s Top Ten Picks of what to see at this year’s book festival (with a bonus extra because you’re special).
Robin Robertson, Sat 11 Aug 12:00 – 13:00 – The Spiegeltent
A renowned poet whose work often hauntingly evokes the lives of Scottish outsiders, Robin Robertson strikes out with a breathtaking new project, The Long Take. In this verse novel, Walker is a war veteran from Nova Scotia who sets out for Los Angeles in 1948. Robertson’s book demonstrates the origins of ‘noir’, presented here with period filmic and musical accompaniment.
And you can read the SWH! review of The Long Take here. Continue reading
For many of us August means Edinburgh and its attendant festivals. As ever, the Fringe in particular has so much on offer that it can be tough to see past the big names, sort through the plethora of posters, and separate the wheat from the cultural chaff. To help you do so here are Scots Whay Hae!’s Top Ten picks of the Fringe. There’s comedy, poetry, theatre, music and more – hopefully, something for everyone.
This Script and Other Drafts (Jenny Lindsay), Aug 13-14, 21-22 – Scottish Storytelling Centre
At a time of schisms within feminism, ongoing revelations of #MeToo, endless discussions about womanhood, and sirens being the soundtrack to our newsfeeds, Jenny Lindsay found herself getting a bit angry in 2017… Putting that anger to work she wrote a series of univocal poems, invented a superhero on her period, explored the rifts within feminism, set up a date with capitalism and penned some poems based on comments on PornHub videos. Amongst other drafts… Come join an award-winning poet for an evening exploring sex, gender and feminism. Can she rewrite this script? Can you? Continue reading
Charley, Jon, Shane, Ali, & a hawk
After our recent Dundee podcast Ali moves up the coast to Aberdeen to talk to Charley Buchan from Fitlike Records (as recently featured on Radio 4’s Notes From A Musical Island), writer Shane Strachan, and arts blogger Jon Reid, otherwise known as Mood Of Collapse,
The three talk about the changes in, and challenges for, Aberdeen’s arts and cultural community, the influence of the city’s educational and civic insitutions, the importance of spaces and places, graduate and talent drain, what inspires them to do what they do, and their hope for what happens next. It’s an impassioned and inspiring chat about the past, present and future for the arts in Aberdeen.
During the hour there are mentions for Nuart Aberdeen, Gray’s School Of Art, Jamie Dyer, 10Ft Tall Theatre, Painted Doors, Fat Hippy Records, Kathryn Joseph, Aberdeen Art Gallery, University of Aberdeen’s Creative Writing MLitt, the SAY Award long-listed Best Girl Athlete, Peacock Visual Arts, The Lemon Tree, The Blue Lamp, Iona Fyfe, and many more. Thanks to artist Mary Butterworth for putting up with us and taking the picture at the top of the page, and to Charley for being the perfect host. Continue reading
For the latest podcast Ali visited Dundee to talk about all things cultural in relation to that great city. To help him do so he was joined by the co-founding director of Creative Dundee Gillian Easson, the writer and playwright (and long-term supporter of SWH!) Anna Stewart, and the TV and theatre actor, (currently to be seen on the brilliant drama ‘The Terror‘ on AMC) Gordon Morris.
All three are proud Dundonians who have close connections with the city’s culture. They talk about the past, present, and their future hopes for the city and its artistic community, examining how it has become an internationally renowned centre for the arts while remaining determinedly committed to engaging with its citizens. It’s a fascinating discussion which gives a great overview of a place, its people, and its culture. Continue reading
Two of the most challenging types of writing are crime and comedy. For the first you have to avoid repeating well-worn clichés while still making it as recognisably belonging to the genre. For the second, well, it’s got to be funny – perhaps the most difficult trick to pull off on the page. A successful crime/comedy, therefore, is something which is to be celebrated.
Christopher Brookmyre and Douglas Skelton are two writers who get the balance right, combining the dark side of life with the blackest of comedy, but they are rare. A worthy addition to that niche section of your bookshelves arrives in the shape of Stuart David’s latest novel Peacock’s Alibi. Set in Glasgow, and with an unerring ear for what the word on the street should sound like, Peacock’s Alibi is like a lost Taggart script as written by John Byrne. Like Byrne, David writes dialogue that isn’t how people speak, but how they wish they spoke – funnier, wittier, and with a better line in the last word. Continue reading
For the latest podcast, Ali spoke to Aye Write! Book Festival programmer, Bob McDevitt (right) in Glasgow’s CCA (which explains the background ‘atmosphere’). This year’s festival starts on Thursday 15th March, and the two discuss the history of the festival and how it has gradually spread its influence throughout the city from its home at the Mitchell Library. You also learn about what to expect this year, Bob’s personal highlights, the challenges of festival programming, his similar role for Bloody Scotland and the Pitlochry Winter Words Festival, and much, much more.
There are mentions for individuals as diverse as Brett Anderson, Gail Honeyman, Sir James MacMillan, Chris Bonington, Scotland’s Makar Jackie Kay, Dr Adele Patrick, and even some Men In Kilts. As a precursor to Aye Write! 2018 it’s the perfect listen, especially when married to the SWH! preview which is over at the website right now. Continue reading
For 10 days in March (15th – 25th) Glasgow’s Book Festival Aye Write! is the only show in town for lovers of fact, fiction, food, poetry, prose, biography, comics, and any other form of writing that takes your fancy. While the majority of events remain at the festival’s spiritual home of The Mitchell Library there is also plenty occuring at the CCA, Glasgow Royal Concert Hall, Tramway, City Halls, GFT and Glasgow University Chapel. But it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in the city.
Here are SWH!’s carefully selected daily highlights to give you something to think about, but you can peruse the full programme at your leisure here.
You can also keep up to date with events as they unfold by following on Twitter or on Facebook. Tickets can be bought here and you can click the links below for further details on the individual events.
Thursday 15th – Stuart David, 7.45 – 8.45pm, University of Glasgow Memorial Chapel
Ex-Belle & Sebastian and current Looper, Stuart David is arguably better known as a musician than a writer, but his debut novel Nalda Said is one of the most-underrated Scottish novels of the last 20 years, and his memoir about his time in Belle & Sebastian, In The All Night Cafe is a must for any Scottish pop music fan. Now his latest novel, Peacock’s Alibi, is being published by Polygon, and SWH!’s very own Ali Braidwood will be in conversation with Stuart on the 15th to discuss the new book, the true story of Peacock Johnson, the Ian Rankin connection, and so much more. If you have a burning question you’ve always wanted to ask Stuart please come along as this is your chance to do so.
Peacock’s Alibi is published by Polygon Books, and you can hear Stuart and Karn David talking to the SWH! Podcast back in 2015. Continue reading
Lynne Ramsay is to film what The Blue Nile are to music – discuss. She has made four films in 18 years, and it’s been seven between her last, We Need To Talk About Kevin, and her latest You Were Never Really Here. The Blue Nile released their four albums over 20 years, with the longest gap being 8 years between Peace At Last and High. Most importantly both proved to have put their time to good use, producing work which is of the highest quality in their respective fields.
You Were Never Really Here proves, if anyone were in any doubt, that Lynne Ramsay is one of the finest filmmakers around. From her unforgettable debut Ratcatcher, through Morvern Callar (one of the best ever film adaptations of a Scottish novel), to BAFTA & Global Globe winner We Need To Talk About Kevin, she produced a run of films to rival any other director. Could she keep it up? If you believed the recent rumours and hype surrounding Ramsay (leaving, or being asked to leave, various projects) then you may have thought this unlikely. However, if you simply look at the work – which is what matters – how could you doubt it? Continue reading