“January, sick and tired you’ve been hanging on me”, as Pilot sang back in 1974 – a genius lyric which just about says it all. But never fear as, appropriately, it’s music which is going to chase away the new year funk and January blues.
This year we are spoiled with 432 Presents‘ excellent First Footing Showcases, and, from the 16th Jan – 2nd Feb, Celtic Connections, one of the world’s great music festivals, gets underway with another line-up which mixes and matches the local with the global.
However, and as ever, we’d like to point you in the direction of other gems to be found at the festival. Some of the names below you may well recognise from our regular music reviews and weekly playlists, and they all are deserving of your attention and attendance. Each one promises an unforgettable night, and what more can you ask for in these early days of 2020?
You can peruse the full programme at your leisure at Celtic Connections, and receive all the up-to-date news by following the festival on Twitter, and Facebook. But before you rush away here is the Scots Whay Hae! preview, (complete with links to further details + tickets). We like to call it ‘the best of the rest of the fest’…
For the latest SWH! podcast Ali headed to Edinburgh to speak to the American writer Elle Nash who was in the country for the city’s International Book Festival.
The conversation focused on her powerful novel Animals Eat Each Other, which is published by 404 Ink. The two discuss the novel’s themes and content, Elle’s intentions, how her style developed, the importance of names and language, the psychology of desire, the quest for identity, and much more.
You’ll also hear 404 Ink’s Laura Jones explaining why they felt they had no choice but to publish Elle once they had read her book. We consider it an instructive and insightful discussion which will interest writers, readers, and book lovers of all kinds. Have a listen and see if you agree.
Here’s an extract from the SWH! review of Animals Eat Each Other, “Elle Nash has written the literary equivalent of a great Punk single – fast, furious, and unforgettable, one which sticks in your head and creeps beneath your skin. Animals Eat Each Other – you couldn’t ignore it if you tried.” And you can read the full review here…
If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so).
You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud…
From the 10th – 26th August, Edinburgh’s Charlotte Square Gardens (and George Street) once again becomes the place for book lovers to meet, greet, and be merry as the Edinburgh International Book Festival takes up its annual residence. It’s always an oasis of calm and conversation in a city gone daft, and it is one of SWH!’s favourite places to be.
There’s a lot of great events to choose from, so to help you find something just for you here are Scots Whay Hae!’s Top Ten Picks of what to see at this year’s book festival (with a bonus extra because, like a Nigel Tufnell amp, this Top Ten goes up to 11).
Early 1980s Scotland in Airdrie, a former mining village. This is the setting for David Keenan’s achingly evocative fictional history of local post-punk band Memorial Device. It’s a hallucinatory love letter to the shipwrecked youth of this Central Belt hinterland whose lives contained little other than music – and Benny’s chip shop.
In partnership with the Royal Lyceum Theatre Edinburgh and writer-director Graham Eatough we present a theatrical response to Keenan’s cult hit, featuring music selected by Stephen McRobbie from Glasgow band The Pastels. After the 45-minute performance, the creative team is joined on stage by Keenan to discuss This is Memorial Device.
You can hear David Keenan discussing This Is Memorial Device with SWH! below:
Chris McQueer’s short, side-splitting stories keep coming in HWFG, the follow-up to debut Hings. Nurtured in Scotland’s spoken word scene and described as ‘Charlie Brooker on Buckfast’, his stories illuminate lives on the margins. Novelist Russ Litten foregrounds working class lives in We Know What We Are. His first story collection centres on Hull in its City of Culture year, and has drawn comparisons to James Kelman.
You can hear Chris McQueer in conversation with SWH! below:
Ex-police constable Karen Campbell is back with The Sound of the Hours, a book about love and loss set in an occupied Italian town during the Second World War. French author Marcus Malte brings us The Boy, his award-winning historical novel which follows the tale of a feral child’s episodic journey through variations of early 20th century society. Two emotional tales of family, passion and war. Chaired by Jenny Brown.
In 2017, we sent ten writers across the Americas for Outriders, a project of complex journeys, exploring controversial themes during which the writers exchanged ideas. Ahead of Outriders Africa later this year, Jenni Fagan and Harry Josephine Giles return to discuss how their journeys influenced them. Their work since includes Fagan’s poem ‘Truth’, written while travelling the USA, and Giles’s ‘Traveller’s Lexicon’, responding to their journey from Montreal to Churchill.
The tenth crime novel from Edinburgh’s Doug Johnstone, Breakers follows a teenager trying to escape his dysfunctional family whilst implicated in the assault of a crime-lord’s wife. In Crushed, Kate Hamer’s follow-up to the bestselling The Girl in the Red Coat, can Phoebe control events to such a degree that when she thinks about murder, carnage occurs nearby? Meet two accomplished writers of lively lawless tales in conversation with writer and broadcaster James Crawford.
Broadcaster Stuart Cosgrove rounds off his superb 60s soul trilogy with Harlem ’69. The area at the heart of the Black Panther movement became a byword for crime, but was also a furnace for black creativity that defined popular music for decades, producing icons like Aretha Franklin, Stevie Wonder, Nina Simone and Jimi Hendrix. Hear about these conflicting legacies in an unmissable event for music lovers.
Glasgow alt-folk musician Beerjacket (aka Peter Kelly) has played with some of the biggest names in music, from Frightened Rabbit to The National, thanks to his rich songwriting style. With new album-book combination Silver Cords, he has paired each song with a story spun from the lyrics. They act as a bulwark against the impermanence of digital music and Beerjacket shares them with you in this event.
You can hear Beerjacket in conversation with SWH! below:
In a time of heightened Islamophobia, racism and the misrepresentation of Muslim people, writer and activist Mariam Khan lets Muslim women speak for themselves. It’s Not About The Burqa is the stunning result: a landmark anthology of essays by and about seventeen Muslim women. Join Khan and contributors Nadine Aisha Jassat and Amna Saleem for an illuminating and powerful event.
You can hear Nadine Aisha Jassat in conversation with SWH! below:
January 1919, a world in turmoil: Ireland declared its independence, while Trotsky led the Red Army in Poland. Maybe that’s why workers’ demonstrations in Glasgow led the British establishment to roll army tanks into George Square. Henry Bell’s John Maclean: Hero of Red Clydeside and Kenny MacAskill’s Glasgow 1919 offer coruscating new perspectives on the major players and events in a key period in Scotland’s political history. Chaired by Ruth Wishart.
You can hear Henry Bell in conversation with SWH! below:
Two novelists discuss timely, provocative books about youth, gender politics and violence with author Helen McClory. Sarah Henstra’s searing examination of rape culture on college campuses, The Red Word, won Canada’s prestigious Governor General’s Literary Award for Fiction when it was first published in 2018. Elle Nash’s Animals Eat Each Other takes an unflinching look at obsessive love and has been described as a ‘heart bomb.’
Acclaimed Scottish writer and critic Andrew Crumey talks to Stuart Kelly about The Great Chain of Unbeing – his collection of short stories that journey across space and time, taking readers from the Renaissance to the atomic age and off into far-flung futures in space. With echoes, repetitions and connections across the book and even into Crumey’s other novels, a larger story begins to unfold.
For many of us August means Edinburgh and its attendant festivals. As ever, the Fringe in particular has so much on offer that it can be tough to see past the big names, sort through the plethora of posters, and separate the wheat from the cultural chaff.
To help you do so here are Scots Whay Hae!’s Top Ten picks of the Fringe. There’s comedy, poetry, theatre, music and more – hopefully, something for everyone.
At a time of schisms within feminism, where sirens are the soundtrack to our newsfeeds, This Script combines poetic memoir with a fierce call for empathy. With Jenny Lindsay’s trademark wit and lyrical dexterity, this is a show delving into often turbulent contemporary waters with an ultimate striving for understanding, empathy and action. From #MeToo to ageing in a gendered world: can she rewrite this script? Can you? ‘This Script is sharply written, charmingly performed, and needs saying’ (Luke Wright). ‘One of this year’s most necessary spoken word performances’ (TheWeeReview.com).This Script – (Jenny Lindsay), Aug 4 – 11 – Scottish Storytelling Centre
2018 was going to be Emily’s year. Finally starting to do stand-up and on track to being more funny ha-ha than funny peculiar; maybe even become a fully functioning adult human woman. But when her mum’s cancer diagnosis becomes terminal, she finds herself on an awfully big adventure. Featuring grief, boys who never grow up and jokes, promise. As seen on BBC Scotland’s Short Stuff, one-third of sketch outfit Ambush, and co-host of Glasgow’s grassroots, idiosyncratic comedy night The Salon, this is Emily Benita’s debut solo Fringe hour.
Citizen Scotland cordially invites you to take part in a focus group that will define the very future of the nation – for better or worse. An immersive theatrical experience that confronts the unique absurdity of Scottish identity. Award-winning writer and spoken word artist Kevin P Gilday (Sonnet Youth, National Theatre of Scotland, BBC) turns a hilariously caustic eye on notions of nationhood and patriotism. From history to inventions, language to neighbourly relations, the independence referendum to the toxic mire of present political debate – we gleefully dissect the still-beating dark heart of the countrySuffering From Scottishness – (Kevin P. Gilday).
1969 at the Barrowlands Ballroom in Glasgow, three women are murdered by an Old Testament-quoting serial killer, nicknamed Bible John. He has never been caught. 2019, four women bound by their obsession with true crime want to change that. Immersing themselves in the world of Bible John and his victims, they try to solve the case, once and for all. A riotous, furious, joyful exploration of violence, gender and one of Scotland’s darkest mysteries from Poor Michelle (Samuel French New Play Award 2017). Recipient of Pleasance’s Charlie Hartill Theatre Reserve 2019. Previous praise: **** (Scotsman). **** (Stage).
How do you climb a tree without worrying about the fall? Why do you dream up the monsters in the shadows? Kirsty Law’s Young Night Thought binds Scots folklore, song, film, artwork and dance in an exploration of the inner child. Driven by an extraordinary live band this show leads you across the threshold of the supernatural and back again. ’Weaves a dexterous path between the animated vocal mannerisms of Ani Di Franco and the wide open instrumentation of early Massive Attack’ (Acoustic Magazine). ‘Spellbinding’ (Max Reinhardt, BBC Radio 3, Late Junction). www.madeinscotlandshowcase.com
An intimate and provocative live performance that ‘evolves into a hypnotic whirlwind of warring emotions’ (Herald), Cryptic’s critically acclaimed, poignant staging of award-winning singer Kathryn Joseph’s second album returns by popular demand. Renowned for her spellbinding vocal style and strong lyrical aesthetic which showcases both vulnerability and strength, Joseph moves and engages in equal measure. Complemented by Cryptic’s ‘intense, intimate, immaculately stylised presentation’ (Scotsman), From When I Wake will ‘ravish the senses’ and reach right to the soul with a performance where ‘hearts are broken and stolen in equal measure’ (List). www.madeinscotlandshowcase.com. Seated.
Eilidh stares out to sea and dreams of a new life beyond her lonely island. Myth and reality collide when the tide washes a mysterious stranger onto her beach, changing her life forever. Epic storytelling, intimately staged with a contemporary Scottish folk-inspired score. The cast live-record and layer their voices to create an ethereal adventure for the ears and imagination. ‘Superb’ (Herald). ‘Lush, harmonic voices’ (List). ‘A real treat of a production’ (AllEdinburghTheatre.com). Originally developed in association with Comar. Part of the Made in Scotland 2019 showcase. www.madeinscotlandshowcase.com
The wee speccy future of Glaswegian stand-up returns to Edinburgh with a brand-new hour. As seen on BBC Scotland’s Up For It, and as heard on BBC Radio 1 and BBC Radio 4 Extra. Live support for Kevin Bridges, Jason Manford and Russell Kane. Recently listed 59th on a list of the 60 funniest people in Scottish history. ‘Endlessly enjoyable’ **** (Skinny). ‘Genius writing’ **** (List). Intelligent, articulate, and incredibly funny’ ***** (TheWeeReview.com). ‘Downright impressive… no spare moment lacks a laugh’ ***** (ShortCom.co.uk).
Award-winning writer and spoken word artist Cat (BBC Radio 6 Music, BBC The Social, Radio Scotland, STV) debuts the stage adaptation of her hit poetry book. Nostalgic, hilarious and heartbreaking, her performance deconstructs and satirises the milestones, conventions and pressures that girls and young women face. ‘Hepburn’s new collection is the lovechild of slam poetry and the snatched rant over coffee or in the loo… Bittersweet, irreverent and to-the-point, these poems speak of life’s knots and identity pitfalls all too clearly’ **** (Skinny). ‘Cat Hepburn helped make poetry cool again’ (Scottish Sun).
A live jam of music, video and poetry, this multimedia theatre show tells the true story of a military drone’s life and fears. The Drone is a weapons system, an office worker, a background hum. The bleak humour and tender fury of Drone sees the unmanned aerial vehicle as the technology of a neurotic century, asking how anxious people can live as part of systems of such astonishing destruction. Drone is mixed new every night: a cabaret band of a video jockey, an electronic musician and a spoken word performer. ‘A state of the nation address’ (Scotsman). www.madeinscotlandshowcase.com
From today (14th) Glasgow’s Book Festival Aye Write! is the only show in town for lovers of fact, fiction, food, poetry, prose, biography, comics, and any other form of writing that takes your fancy.
While the vast majority of events are at the festival’s spiritual home of The Mitchell Library, The Glasgow Royal Concert Hall also has its fair share. But it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in the city.
You can also keep up to date with events as they unfold by following @AyeWrite on Twitter or on Facebook. Tickets can be bought here and you can click the links below for further details on the individual events.
Robin Robertson – 14th Mar 2019 • 7:45PM – 8:45PM • Mitchell Theatre Robin Robertson returns to Aye Write! with the most decorated book of his career. Winner of the Goldsmiths Prize, The Roehampton Poetry Prize and shortlisted for the Man Booker Prize, The Long Take is one of the most remarkable – and unclassifiable – books of recent years.
The book’s protagonist Walker, a D-Day veteran, is brutalised by war, haunted by violence yet resolved to find kindness again, in the world and himself. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish.
Stuart Cosgrove & Ken McNab – 15th Mar 2019 • 7:45PM – 8:45PM • Glasgow Royal Concert Hall A momentous year in musical history has given rise to two new books. Stuart Cosgrove completes his trilogy with Harlem 69: The Future of Soul in which a Rabelaisian cast of characters including Aretha Franklin, Donny Hathaway, Stevie Wonder and Nina Simone feature in a tale of crime, gangsters and a darkly vengeful drug problem.
Ken McNab’s And in the End is the story of the last acrimonious days of the Beatles played out in 1969, the year that saw the band reach new highs of musical creativity and new lows of internal strife.
Anna Groundwater – 16th Mar 2019 • 11:30AM – 12:30PM • Mitchell Library Anna Groundwater is a cultural and social historian of early modern Scotland at the University of Edinburgh and acts as a consultant for historical television and radio programmes, appearing on Scotland’s Clans and In Our Time.
Her book Scotland Connected is a user-friendly and thought-provoking guide to the key events in Scottish, British and World history, readily demonstrating the connections between the three.
Stephen Millar & Alan McCredie – 17th Mar 2019 • 4:45PM – 5:45PM • Mitchell Library Finding himself faced with a feeling of disconnection from his city of birth, Stephen Millar set out on a mission to capture the heart and essence of Glasgow, meeting with members of a remarkable variety of clubs and sub-cultures from pagans, to cosplayers and traditional musicians who make up the fabric of the city.
His book Tribes of Glasgow moves beyond stereotypes and delves deeper into the origins of these tribes. Scottish photographer Alan McCredie brings these stories to life through a blend of portraits and candid snaps.
This event is chaired by Ali Braidwood from SWH! so please join all three for what will be a fascinating insight into Aye Write!’s, and SWH!’s, home turf…
David Keenan & Michael Hughes – 17th Mar 2019 • 6:30PM – 7:30PM • Mitchell Library David Keenan’s For the Good Times follows Sammy and his three friends in the Ardoyne, an impoverished, predominantly Catholic area of North Belfast. It is a book about the devastation that commitment to ‘the cause’ can engender.
Country by Michael Hughes is set in 1996 when, after 25 years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactlythey have been fighting for.
Murray Pittock – 23rd Mar 2019 • 4:45PM – 5:45PM • Mitchell Library Murray Pittock is Bradley Professor at the University of Glasgow and a Fellow of the Royal Society of Edinburgh and Royal Historical Society. His latest book is a study of enlightenment in Edinburgh like no other.
In a journey packed with evidence and incident, he explores various civic networks – such as the newspaper and printing businesses, the political power of the gentry and patronage networks, as well as the pub and coffeehouse life – as drivers of cultural change. His analysis reveals that the attributes of civic development, which lead to innovation and dynamism, were at the heart of what made Edinburgh a smart city of 1700.
Donald S Murray – 24th Mar 2019 • 4:45PM – 5:45PM • Mitchell Library In the small hours on 1st of January 1919, at the entrance to Stornoway harbour, the cruelest twist of fate changed at a stroke the lives of an entire community. On that terrible night the HMY Iolaire smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war.
As the Women Lay Dreaming is a deeply moving novel about passion constrained, coping with loss and a changing world, it explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls.
Daisy Johnson’s Everything Under turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, the novel is a story of family and identity, of fate, language, love and belonging that saw Daisy shortlisted for The Man Booker Prize in 2018.
Drunk on cinematic and literary influence, Alan Trotter’s Muscle is a slice of noir fiction in collapse, a ceaselessly imaginative story of violence, boredom and madness
Beerjacket – 29th Mar 2019 • 7:45PM – 8:45PM • Glasgow Royal Concert Hall Nearly five years since the release of his last album, Darling Darkness, Beerjacket returns with his most ambitious project and album to date, Silver Cords.
Accompanying the 12 songs are a collection of 12 short stories; intertwined with the music The combination of sound and print creates an ethereal tone which binds the stories with a dreamlike, magic realism quality, and certain recurring themes of isolation, now-ness, interconnectedness, loss, and fear.
Ali Braidwood is delighted to be chairing this event so why don’t you join Beerjacket & he for what promises to be a musical and literary treat.
Charly Cox and Nadine Aisha Jassat – 30th Mar 2019 • 4:45PM – 5:45PM • Mitchell Library In She Must be Mad, Charly Cox captures the formative experiences of today’s young women from the poignant to the prosaic in writing that is at once witty, wry and heartfelt. Written for every woman surviving and thriving in today’s world, for every girl who feels too much, her poems say ‘you are not alone’.
Nadine Aisha Jassat was recently named as one of 30 inspiring young women under 30 in Scotland. Her spoken-word piece Hopscotch was made into a film in 2017, and Let Me Tell You This is her debut poetry collection.
For the latest podcast Ali met up with the film director Andrew Peat at Glasgow’s CCA before the Glasgow Film Festival premiere of his feature-length documentary Scotch: The Golden Dram.
To give you an idea about the film, and what they discussed, here is an extract from the press-release: “Shot entirely on location in Scotland, Scotch: The Golden Dram tells the story of uisge-beatha, Gaelic for “water of life”, which is enjoyed in more than 200 countries, generating over $6 billion in exports each year. The film charts the Cinderella tale of legendary master distiller Jim McEwan, a veteran with over 50 years standing in the industry, who takes on a dilapidated distillery on his home island of Islay in the Inner Hebrides and turns it into an award-winning blend. Some of the other ardent enthusiasts featured include Richard Paterson, a master blender whose nose was insured for $2.5 million, as well as biochemist whisky-maker Dr Bill Lumsden, and master distiller Ian MacMillan. “
The two discuss the inspiration behind the film, and the personal and professional journey Andrew has made to get his film to screen, from his first taste of Glenmorangie while at University at St Andrews to that night’s showing in Scotland, a highly significant landmark for Andrew Peat (right).
You can visit the website here – Scotch: The Golden Dram where you will find the full list of cinemas in Scotland, Ireland and the rest of the UK where it’s playing, starting in Aberdeen on the 8th March.
It’s a beautiful film which is funny, moving, poignant and powerful and, even if you have no interest in the drink, the people and places will win you over and stay with you long after the credits roll. It’s also visually stunning and if you get the chance to see it on the big screen I suggest you don’t miss it.
Here is the trailer:
If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud…
If it’s February in Glasgow it can only be the Glasgow Film Festival, the perfect place for the more discerning film fans to take shelter from the storm while enjoying the best cinema has to offer, old and new.
Running from tomorrow (20th February) to Sunday 3rd March, it’s a festival which over the years has firmly established itself as one of the very best around. Scots Whay Hae! will be in attendance to review the best of what’s on, but before it all kicks off here is our annual preview.
2019’s programme has so much to recommend it we couldn’t possibly do anything other than make some considered suggestions here, but you can and should download the full brochure, settle back, and peruse at your leisure.
However, before you do here’s a taste of what’s on offer:
One of the highlights of last year was the Scottish Alternative Music Awards night at St Luke’s in Glasgow which showcased not only the best of new Scottish music, but also how the SAMAs have grown in stature and ambition. But that was then and this is now and the SAMAs show no sign of letting up. On the 15th & 16th March they are taking over Paisley (in partnership with Renfrewshire Council and Paisley First) with the promise of events, live music, workshops, seminars & spoken word.
On Friday 15th at the Paisley Arts Centre there is a Festival Welcome with writer Chris McQueer and poet Leyla Josephine followed by music from C. Duncan + Special Guests, while over at The Bungalow the Pleasure Heads, CRYSTAL and Sweaty Palms will be taking to the stage.
The Saturday is a full and varied schedule which includes Stuart Braithwaite in conversation, live sets from Megan Airlie & Michael Timmons before the weekend finishes on a high with the inimitable Kathryn Joseph. See the poster above for the full line-up, times and venues.
Here’s what SAMA’s founder Richy Muirhead has to say about the Paisley Takeover, “The festival is jam packed with music events – we’re thrilled to add the likes of CRYSTAL who recently played a sold out King Tuts, Megan Airlie who won Best Acoustic at last year’s awards, author Chris McQueer and lots more! I hope the festival brings a burst of energy to Paisley and excites music fans around the country!”
Tickets are on sale now from £7 – £12 from Eventbrite UK, SAMA’s Website:http://officialsama.co.ukand Paisley Arts Centre 0300 300 1210
Tonight at Celtic Connections there is a timely celebration of Marina Records, a label responsible for some of my favourite albums over the years. Theirs is an interesting story. An indie-label founded by Stefan Kassel and Frank Lähnemann in 1993 in Hamburg, Marina Records became the home of some of the classiest Scottish pop music around. If ever a label should be celebrated for their auspicious work in promoting Scottish music and supporting musicians it is Marina, and this is the opportunity to do just that.
The Mitchell Theatre gig is part of the label’s 25th birthday festivities – which included the bumper anniversary compilation Goosebumps– and sees the appearance of many Marina artists, including James Kirk, Malcolm Ross, Duglas T. Stewart, The Pearlfishers, Cowboy Mouth, The Secret Goldfish, Jazzateers, The Kingfishers, The Bathers, Sugartown, Colin Steele, The Magic Circles and Starless. That is undoubtedly musical bang for your buck. Continue reading →
“January, month of empty pockets! Let us endure this evil month…”, to quote the French writer Sidonie Gabrielle Colette (currently appearing at a cinema near you). This may be a touch dramatic, but you know what she’s getting at. For me, a year doesn’t get going properly til Celtic Connections begins. A festival that never fails to deliver, and which continues to grow in terms of number of gigs, breadth of music, and stature.
However, and as ever, we’d like to point you in the direction of lesser known gems which can be found at the festival. Some of the names below you may recognise from our regular music reviews, and they all are deserving of your attention. Each one promises an unforgettable night, and what more can you ask for in these early days of 2019?
You can peruse the full programme at your leisure at Celtic Connections, and receive all the up-to-date news by following the festival on Twitter, and Facebook. But before you rush away here is the Scots Whay Hae! guide, (complete with links to further details + tickets). We’re calling it ‘the best of the rest of the fest’…