Book Now To Avoid Disappointment: A Preview Of Aye Write! 2019…

From today (14th) Glasgow’s Book Festival Aye Write! is the only show in town for lovers of fact, fiction, food, poetry, prose, biography, comics, and any other form of writing that takes your fancy.

While the vast majority of events are at the festival’s spiritual home of The Mitchell Library, The Glasgow Royal Concert Hall also has its fair share. But it is only right that Glasgow’s most famous library is the focus point for a book festival which is international in scope, but has its roots firmly planted in the city.

Here are SWH!’s carefully selected 10 highlights to give you something to think about, but you can peruse the full programme at your leisure here.

You can also keep up to date with events as they unfold by following @AyeWrite on Twitter or on Facebook. Tickets can be bought here and you can click the links below for further details on the individual events.

Robin Robertson – 14th Mar 2019  •  7:45PM – 8:45PM  •  Mitchell Theatre 
Robin Robertson returns to Aye Write! with the most decorated book of his career. Winner of the Goldsmiths Prize, The Roehampton Poetry Prize and shortlisted for the Man Booker Prize, The Long Take is one of the most remarkable – and unclassifiable – books of recent years.

The book’s protagonist Walker, a D-Day veteran, is brutalised by war, haunted by violence yet resolved to find kindness again, in the world and himself. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish.

You can read the SWH! review of The Long Take here

Stuart Cosgrove & Ken McNab – 15th Mar 2019  •  7:45PM – 8:45PM  •  Glasgow Royal Concert Hall
A momentous year in musical history has given rise to two new books. Stuart Cosgrove completes his trilogy with Harlem 69: The Future of Soul in which a Rabelaisian cast of characters including Aretha Franklin, Donny Hathaway, Stevie Wonder and Nina Simone feature in a tale of crime, gangsters and a darkly vengeful drug problem. 

Ken McNab’s And in the End is the story of the last acrimonious days of the Beatles played out in 1969, the year that saw the band reach new highs of musical creativity and new lows of internal strife.

You can read the SWH! review of Stuart Cosgrove’s Harlem ’69 here

Anna Groundwater – 16th Mar 2019  •  11:30AM – 12:30PM  •  Mitchell Library
Anna Groundwater is a cultural and social historian of early modern Scotland at the University of Edinburgh and acts as a consultant for historical television and radio programmes, appearing on Scotland’s Clans and In Our Time. 

Her book Scotland Connected is a user-friendly and thought-provoking guide to the key events in Scottish, British and World history, readily demonstrating the connections between the three.

SWH!’s Ali Braidwood will be in conversation with Anna Groundwater for this event which is must for anyone with an interest in Scotland’s history and heritage…

Stephen Millar & Alan McCredie – 17th Mar 2019  •  4:45PM – 5:45PM  •  Mitchell Library
Finding himself faced with a feeling of disconnection from his city of birth, Stephen Millar set out on a mission to capture the heart and essence of Glasgow, meeting with members of a remarkable variety of clubs and sub-cultures from pagans, to cosplayers and traditional musicians who make up the fabric of the city. 

His book Tribes of Glasgow moves beyond stereotypes and delves deeper into the origins of these tribes. Scottish photographer Alan McCredie brings these stories to life through a blend of portraits and candid snaps.

This event is chaired by Ali Braidwood from SWH! so please join all three for what will be a fascinating insight into Aye Write!’s, and SWH!’s, home turf…

David Keenan & Michael Hughes – 17th Mar 2019  •  6:30PM – 7:30PM  •  Mitchell Library
David Keenan’s For the Good Times follows Sammy and his three friends in the Ardoyne, an impoverished, predominantly Catholic area of North Belfast. It is a book about the devastation that commitment to ‘the cause’ can engender.

Country by Michael Hughes is set in 1996 when, after 25 years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactlythey have been fighting for.

You can read the SWH! review of For the Good Times here, and David was a podcast guest earlier this year which you can catch up with right now

Murray Pittock – 23rd Mar 2019  •  4:45PM – 5:45PM  •  Mitchell Library
Murray Pittock is Bradley Professor at the University of Glasgow and a Fellow of the Royal Society of Edinburgh and Royal Historical Society. His latest book is a study of enlightenment in Edinburgh like no other. 

In a journey packed with evidence and incident, he explores various civic networks – such as the newspaper and printing businesses, the political power of the gentry and patronage networks, as well as the pub and coffeehouse life – as drivers of cultural change. His analysis reveals that the attributes of civic development, which lead to innovation and dynamism, were at the heart of what made Edinburgh a smart city of 1700.

SWH!’s Ali Braidwood will be in conversation with Murray Pittock for this event, and it would be great if you could join them, and join in…

Donald S Murray – 24th Mar 2019  •  4:45PM – 5:45PM  •  Mitchell Library
In the small hours on 1st of January 1919, at the entrance to Stornoway harbour, the cruelest twist of fate changed at a stroke the lives of an entire community. On that terrible night the HMY Iolaire smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war.
 
As the Women Lay Dreaming is a deeply moving novel about passion constrained, coping with loss and a changing world, it explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls.

You can read the SWH! review of As the Women Lay Dreaming here, and Donald was a memorable podcast guest last year, a conversation which is still available for you to listen to

Shaun Bythell Introduces… Daisy Johnson and Alan Trotter – 24th Mar 2019  •  6:30PM – 7:30PM  •  Mitchell Library
Shaun Bythell, owner of the largest second-hand bookshop in Scotland and author of Diary of a Bookseller introduces these two extraordinary debuts.

Daisy Johnson’s Everything Under turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, the novel is a story of family and identity, of fate, language, love and belonging that saw Daisy shortlisted for The Man Booker Prize in 2018. 

Drunk on cinematic and literary influence, Alan Trotter’s Muscle is a slice of noir fiction in collapse, a ceaselessly imaginative story of violence, boredom and madness

You can read the SWH! review of Alan Trotter’s Muscle here

Beerjacket – 29th Mar 2019  •  7:45PM – 8:45PM  •  Glasgow Royal Concert Hall
Nearly five years since the release of his last album, Darling Darkness, Beerjacket returns with his most ambitious project and album to date, Silver Cords. 

Accompanying the 12 songs are a collection of 12 short stories; intertwined with the music The combination of sound and print creates an ethereal tone which binds the stories with a dreamlike, magic realism quality, and certain recurring themes of isolation, now-ness, interconnectedness, loss, and fear. 

Ali Braidwood is delighted to be chairing this event so why don’t you join Beerjacket & he for what promises to be a musical and literary treat.

You can read the SWH! review of Beerjacket’s Silver Cords here, and the man himself was a recent podcast guest which is still available for your listening pleasure

Charly Cox and Nadine Aisha Jassat – 30th Mar 2019  •  4:45PM – 5:45PM  •  Mitchell Library
In She Must be Mad, Charly Cox captures the formative experiences of today’s young women from the poignant to the prosaic in writing that is at once witty, wry and heartfelt. Written for every woman surviving and thriving in today’s world, for every girl who feels too much, her poems say ‘you are not alone’. 

Nadine Aisha Jassat was recently named as one of 30 inspiring young women under 30 in Scotland. Her spoken-word piece Hopscotch was made into a film in 2017, and Let Me Tell You This is her debut poetry collection.

Let Me Tell You This is out now, published by 404 Ink, and Nadine will be a guest on the SWH! podcast in the very near future…

That’s all folks – and if you do make it to one of the events Scots Whay Hae! is involved with please come and say hello.

That’s Entertainment: A Review Of David F. Ross’ Welcome To The Heady Heights…

It’s always a risk when a writer leaves well-loved characters and places behind to move on to something new. David F. Ross completed his ‘Disco Days Trilogy’ with 2017’s The Man Who Loved Islandsa fitting end but one which left both writer and reader questioning what he would do next. The answer to that is now with us in the shape of Welcome To The Heady Heights, (Orenda Books) and from the opening chapter it is clear that everyone can relax, sit back, and enjoy.

It’s a novel which gets to the heart of ’70’s Glasgow, capturing, and revelling in, the city’s wit, wisdom and widoes, and using them to examine human frailty and institutional corruption at its worst. Corporation busconductor Archie Blunt is a man with a mission, a proud Glaswegian who understands the city and those who bide there, and is glad to do so. When he find himself out of work and, at the age of 52, running out of time, he feels that life is in danger of passing him by. The one thing he has going for him is that he knows where the bodies are buried and who has dirt on their shoes, and starts to realise that such knowledge may be his best hope.

This set-up allows David Ross to turn his ever-so-dark humour and coruscating eye to the second city of the Empire and the decade of flares and Findus Crispy Pancakes, and it proves to be the perfect pairing. For those who are already a fan of his writing they will be familiar with the way he uses comedy, and often controversy, to examine and comment on matters serious. While having a ball with his memorable array of characters running amok, a central theme is the systemic abuse of minors by members, often well-loved, of the apparently respectable establishment, particularly with regard to the entertainment industry.

As much outraged as outrageous, you can’t shake the feeling that Ross writes in part to vent anger and frustration at the darkness and desperation of some people’s lives, and at those who would take advantage of them – often without a second thought. And while there is clear commentary on the highly-publicised sex scandals of Savile, Glitter, Clifford, et al., more current concerns are broached such as the continued march of celebrity culture, the myth that we are all due ’15 minutes of fame’, and how the spate of TV talent shows continue to exploit the young and vulnerable.

Archie becomes the driver to Hank ‘Heady’ Hendricks, a well-known TV presenter who, it quickly becomes clear, will never turn down the chance to debase and defile when opportunity knocks. He plans, along with other members of the mysterious ‘Circle’, to turn the landmark Great Eastern Hotel, (the infamous drop-in for Glasgow’s homeless and destitute), into the first Heady Hotel, a place to lure the unsuspecting and susceptible.

You may think this premise too outrageous to be believed, but when you consider the actions of those icons named above and their like, and how institutions and officialdom, knowingly and unknowingly, facilitated their terrible desires then, if anything, it is all too believable. These men see themselves as untouchable, above the law.

It is this hubris that Archie seeks to exploit, using the knowledge he has to help promote his hastily formed boy-band, The High Five – ‘Satan’s Bagpipes’ being sadly rejected as a name. This is his last chance of becoming a success, someone of whom his father could be proud, a desire which leads him to make a series of questionable decisions. As the stakes for everyone get higher the pace quickens and the tension ramps up to such an extent that you are left breathless by the end.

As evocative of the ’70s as Alvin Stardust riding a Chopper, Welcome To The Heady Heights is where those well-known Williams, Connolly and McIlvanney, meet. Ross uses Glasgow’s infamous No Mean City reputation as the backdrop to a story which lifts the lid on the worlds of showbuisness and politics and finds what lies beneath rotten. It’s one of the most thoroughly and unapologetically enjoyable novels you’ll read this year – riotous, courageous, and laugh-out-loud funny. It’s also gritty, gallus and Glaswegian to its core – with Welcome To The Heady Heights David F. Ross has given us a novel to revel in.

*This review is part of the Welcome To The Heady Heights Blog Tour, and you can read what other people think by visiting the blogs and websites mentioned below…

Being Boiled: A Review Of Alan Trotter’s Muscle…

One of the joys of reviewing on these pages is that every now and again you are sent a novel about which you know nothing, and it doesn’t just take you by surprise but makes you rethink what fiction can do. That was the case with Alan Trotter’s Muscle and even having read it twice now I’m still not entirely sure what it is or exactly what I have read. Is it Samuel Beckett meets Mickey Spillane? Is it noir as imagined by Neil Gaiman? Is it Pinter and Bukowski having a tear up in a car park? It’s all of those things and so much more.

Usually I wouldn’t mention the cover of a novel, but Muscle’s demands comment. As you can see above it’s the back of a man so large he can’t quite fit, with a shiv held menacingly in his mighty fist. It’s an image which not only suggests the violence and visceral nature of the narrative you are about to encounter, but also hints at what else awaits. Trotter brings so many ideas, themes and influences to bear that mere pages struggle to contain them. In every sense this is a novel which is packing.

From the beginning, where two men calmly contemplate the death they have just witnessed, with a curious detachment similar to Beckett’s Vladimir and Estragon considering a carrot, it is clear that this is not going to be a straightforward undertaking. The cover may scream pulp fiction, but the content is more Pulp Fiction, with conversations about minutiae, apparent McGuffins, graphic violence, and a language rich, ripe, and rooted in noir, all of which can also be found in Tarantino’s masterpiece.

Certainly the central characters of Box and ____ (who we have to assume is the titular ‘Muscle’, but who is never named) bring to mind that film’s Jules and Vincent, the philosophising hard men who menace with aforethought, but there are also heavy traces of other dangerous double acts, such as the aforementioned Neil Gaiman’s Vandemar and Croup from Neverwhere, or Goldberg and McCann from Pinter’s The Birthday Party. I’m sure you’ll come up with your own points of reference as that is one of Muscle’s many joys – it’s packed so full of allusions, none of which are overt, that it’s entirely possible – or rather entirely likely – you could ask ten different readers and they would all report back something new and diverse.

From the beginning Muscle appears firmly rooted in the tradition of hard-boiled fiction. This is a world of private eyes and late-night poker, broken hands and black hearts, which will be familiar to those acquainted with Sam Spade or Mike Hammer. However, as matters progress it places one foot firmly in the realm of science fiction. Box becomes obsessed with the ‘Amazing Stories’ and ‘Weird Tales’ written by the enigmatic Holcomb.

During episodes which could be dreams, or they could be visions, but definitely influenced by what he has read, Box begins to contemplate some extreme ideas, including the possibility of time travel. His desire for an object (“The Spherical Oracle”) grows stronger as he imbues it with a significance that is difficult to understand. It is similar to the unspecified pipes in which Patrick Doyle places his hopes of a happy future life in James Kelman’s A Dissafection. I then started to read other Kelman references in Muscle, but began to wonder if that said more about me than Alan Trotter. And of course it does.

Because that is at the heart of what makes Muscle such a fascinating and involving read. By taking familiar themes, tropes, styles and genres Trotter holds a mirror up to the reader and forces them to consider their own cultural history, and what that brings to any interpretation of what they are reading. It’s almost interactive, and there was more than one time when I imagined I was _____, or at least filled in the blanks myself. Muscle is a fantasy novel, just not in the way you may think.

As Muscle progresses Box’s fantasies begin to morph into an unnerving, and intricate, reality. As with many noir narratives, when a happy ending is even hinted at you know things are about to take a turn for the worse. Through all of this it becomes clear that Trotter is examining not only the evil that men do, but their reasons for doing it. There is greed, pride, lust and many other deadly sins on show, but there is also boredom and frustration. Box and ____ do a lot of killing, and that includes time, waiting for their next assignation which often never comes. It’s no wonder that they embrace their work as it is at least a living.

I often write notes as I read through a book which I’m going to review and the final one I had for Muscle simply said, “Begin Again”, and that’s exactly what I did. The second time around I read deeper and got more than I had the first time, and different than I got the first time. You’ll get back from Muscle as much as you are willing to put in, but effort on your part is required and so it should be. Alan Trotter has written a novel for people who are in love with fiction, who are in love with reading, and if that applies to you then you are in for a rare treat.

Muscle is out now, published by Faber & Faber Books

*Beyond Good And Evil: A Review Of David Keenan’s For The Good Times…

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*A version of this review first appeared on the Books From Scotland website. Head there & sign up to their newsletter to never miss an issue.

As regular readers will know, David Keenan’s debut novel This Is Memorial Device was not only Scots Whay Hae!’s favourite book of 2017, but many other right-minded people’s considered choice as well. It announced his arrival as a novelist in such a barnstorming manner that you couldn’t help but wonder how he was going to follow it. Well now he has, and, as we should have expected, he does so with élan, subverting all expectations. His novel, For The Good Times, is set mainly in 1970s Northern Ireland (some memorable away days aside), slap bang in the middle of that none more euphemistically titled time, ‘The Troubles’. 

For those who lived in Ireland and the UK in the ’70s-’90s there are many of the familiar and widely reported touchstones – the H-Block prison and hunger strikes, the Europa Hotel (infamous as the most bombed hotel in the world), Republican & Loyalist groups known best by three letters, gun-fire at funerals, sectarian songs, balaclavas, bombast, and bomb-blasts. Keenan captures the time and place perfectly, not only with such knowledge and detail, but also using music, fashion, and other cultural references to great effect.

The story focuses on narrator Sammy and his closest friends, a group of young Jack the Lads who just happen to be running violent, and sometimes deadly, errands for the Provisional IRA and other offshoots if they’ll have them. Buying into the more extreme mythology of the Republican cause, these boys are playing dangerous games, with a desire to be the cock of the walk as long as that walk isn’t Orange.

Obsessed with the life and style of the singer Perry Como, and dressed in only the best of gear, violence is second nature to them justified by the belief that they are committing it for a worthy cause. To most they are seen as gangsters, thugs, and smugglers, but they have a strong sense of their own worth and shared identity. If Shane Meadows and Martin Scorsese collaborated on the film adaptation of Bernard McLaverty’s Cal then the script may have been something like this, walking the fine line between condemning, or at least demonstrating, the terrible effects of self-righteous violence, and romanticising it.

This may seem like a fairly straightforward premise but Keenan uses it to explore cultural mythology and memory, place, masculinity (toxic or otherwise), the psychology of gangs and groups, and the need for individuals to belong, but also stand-alone. Just when you think you have a grasp of what is going on and understand the essence of what you are reading, things shift just enough to discombobulate. This will not be unexpected to those who read his previous novel which showed a writer almost bursting with ideas – so many that at times what unfolded came close to being overwhelming.

For The Good Times is leaner in terms of ideas and style allowing the story and the characters more time and space to breathe. The result may be a more conventional narrative (it would have to go some not to be), but it makes for an equally satisfying read, if not more so. If you tried This Is Memorial Device and found it wasn’t for you then you should give Keenan a second chance. He’s too good a writer not to.

That’s not to say that he has dispensed with the literary flourishes altogether. There are songs, poems, and comic book stories, and not many other writers would have quotations from the aforementioned crooner Como, Aleister Crowley’s ‘The Master Therion’, and Friedrich Nietzsche. They may seem incongruous bedfellows, but all tell you something about what you are about to read. There are also séances, astral connections, perversions, and rumination on the nature of art, as well as further evidence that Keenan may have an obsession with mannequins.

All of these unexpected detours remind you that this is a writer who is pushing everyone involved out of their comfort zone. He is a player of games but with serious intent, and it forces you to ask questions about what is written, and how. In my review copy the numbers on the Contents page were all “00”. I have since found out that this isn’t deliberate, but with Keenan I wouldn’t have been surprised. With doppelgangers, the bureaucracy of institutions, betrayal, the power of sex, seduction and obsession, and the need to find an identity when others simply want you subsumed, it has clear echoes of George Orwell, Franz Kafka, John Fowles and Milan Kundera.

However, for all the artistry this novel wouldn’t work without the characters being believable, especially when they are thrown into extraordinary circumstances. Keenan shows he has a keen ear for how people speak, but to do so in an accent other than your own throws in another ball to keep in the air. It’s always a risk to take on the voices of a time and place which is so infamous, but from the first sentence to the last the mask never slips, and you absolutely believe these are lives lived. He also understands how people act in their different groups, and how they think and act when they are alone. The bold and the brave versus the insecure and uncertain – this is a world where front can literally be a matter of life and death, and makes you realise that the time and place has been chosen for good reasons.

For The Good Times is a multi-layered novel of extremes set in the most extreme of times (it is also extremely funny). It plays with form and structure, yet, for all its sensational subject matter and style, it is a keen examination of the human psyche, offering hope which is as welcome as it is surprising. But more than anything else there is a truth at the novel’s core. Every sentence – every word – is there for a reason. Clearly written from the heart it will force you to reflect on the people and places which made you, for better and for worse. For David Keenan it is another magnificent, and memorable, achievement and cements his growing reputation as one of the finest writers around.

For The Good Times is published by Faber & Faber Books

David Keenan was a recent guest on the Scots Whay Hae! podcast which you’ll find here – SWH! Podcast With David Keenan.

Talking Books & Telling Stories: The Scots Whay Hae! Podcast Talks To David Keenan…

For the latest podcast Ali spoke to writer David Keenan about his latest novel For The Good Times. After the success of his previous book This Is Memorial Device, (Scots Whay Hae!‘s Book of 2017), it was always going to be fascinating to see how he would follow it, but he has done so in fine style.

The two discuss the setting of Belfast in the ’70s, the personal connections Keenan has to that time and place, and the way language shapes the story. They also consider as diverse and disparate subjects as masculinity, magic, Modernism, sectarianism, Sufism, and song, and that only scratches the surface of their conversation.

It’s always a pleasure, and an education, to listen to David Keenan as there are few writers who talk with the insight, honesty, knowledge and passion about their work as he does. So make yourself comfortable and strap in – this is a podcast not to be missed.

You can read Ali’s initial review of For The Good Times over at the excellent Books From Scotland website. A slightly longer version will appear on these pages in the coming days.

If you are new round these parts there is quite a substantial back-catalogue of podcasts for you to discover. If you aren’t yet a subscriber you can do so, (or simply listen) at iTunes, on Podbean, or by RSS (but you’ll need to have an RSS reader to do so). You can also download the podcast by clicking on the relevant link to the right of this post, or, if you want it right here, right now, you can listen on SoundCloud

..or on YouTube:

Our next podcast will be with one of the most exciting and inventive bands around at the moment. We’ll tell you who that is very soon…

Hearts & Minds: A Review Of Beerjacket’s Silver Cords…

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It was an interesting development in Scottish writing that two of the most talked about books from the end of 2018 were published by record labels – Stephen Watt & Friends poetry collection MCSTAPE on Last Night From Glasgow, and Beerjacket’s Silver Cords on Scottish Fiction. There are good and understandable reasons for this. The former contains poems about all manner of music related experiences, many of which were written by some of Scotland’s best known musicians, while Beerjacket’s Silver Cords is not only a book of short stories and lyrics, but also the name of the accompanying CD  – his first collection of new songs for some years. However, you can’t help but wonder if this music/publishing industry crossover is, in some small way, a sign of things to come.

If you have listened to the recent SWH! Podcast interview with Beerjacket (also known as Peter Kelly) then you will know much of this. What you won’t have is a clear idea of just what the book Silver Cords is like. Musicians have tried their hand at fiction before with varying degrees of success. For every Nick Cave’s And The Ass Saw The Angel or Louise Wener’s The Half Life of Stars there’s more than a few which rank (rotten) alongside Bruce Dickinson’s The Adventures Of Lord Iffy Boatrace or Morrissey’s List of the Lost. Taking that in to account an understandable question must be, “Is Silver Cords any good?” Well, I’m here to tell you not to worry. The short answer is undoubtedly, “Yes”. The longer answer begins below. Continue reading

Telling Stories & Singing Songs : The Scots Whay Hae! Podcast Talks To Beerjacket…

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Picture Credit: Robert Perry

For the first podcast of 2019, Ali caught up with Peter Kelly, better known as singer/songwriter Beerjacket, to talk about Silver Cords (out now on Scottish Fiction) which is not only the name of his latest collection of songs, but also of the accompanying book of short stories, (see below – & there’ll be a review on these pages soon).

The two talk about the project from its early days through to completion, how the stories images-1work with the songs, the reason Peter chooses to work under a pseudonym, the complex nature of the creative process, and why Beerjacket is now back after some time away.

They also discuss how essential it is to give art value, the cultural weight of physical things, the complex relationship between dreams and reality, just how important collaboration is, the enduring power of songs, and a whole lot more. Continue reading

Scots Whay Hae!’s Alternative Hogmanay Night In, 2018…


Once again Montgomery Scott raises a glass to see out the old year and ring in the new and that means it’s time for Scots Whay Hae!’s annual selection of New Year’s Eve treats. It’s an alternative to the Hogmanay telly, so if there’s little you fancy on the box there might be something here to your liking.

There’s been a lot of programmes looking at the life and times of Billy Connolly recently, so it seems apt to post a link to what is, in my opinion, the funniest hour of TV that there has ever been. It’s the legendary An Audience With Billy Connolly:

One of our podcast guests of 2018 was filmmaker May Miles Thomas whose film Voyageuse was one of the best of the year – rightly winning awards and critical acclaim. Here’s the trailer, along with a link to where you can watch the full film:

Voyaguese – Full Movie

This year we lost the great Tom Leonard, a poet who changed the perception of Glasgwegian literature, and who was part of a generation of writers who shaped modern Scotland. Here is some rare footage of the man himself reading at the CCA, then known as the Third Eye Centre, in 1976. Rest in peace:

2018 was the year of Muriel Spark 100 with 12 months of events celebrating the centenary of her birth, as well as the republishing of all her novels by Birlinn. One of the most entertaining is Spark’s comic take on the Watergate Scandal, The Abbess of Crewe, which was later made into the film Nasty Habits, starring Glenda Jackson. Sounds unlikely? Here’s the trailer:

A slice of SWH! podcast gold now as we go way back to 2013 and our interview with the writer James Robertson. He was principally there to talk about his novel concerning the Lockerbie disaster The Professor Of Truth but ended up discussing a whole lot more:

A superior alternative to that there Hootenanny is surely Roddy Hart‘s Best of 2018 which will act as the perfect soundtrack to your evening, sans excess boogie-woogie piano:

Roddy Hart’s Best Of 2018

But if that’s not enough for you, here’s more music to ease you into 2019 from bands who are set fair to have a cracking 2019. First off are OK Button, who made quite a splash in late 2018. Here they are with their recent single ‘Beds’:

Perhaps the album we are most excited about is from Half Formed Things which is on its way in the new year. Why are we so excited? Because they make music like this:

Cloth are another band who came to everyone’s attention in 2018 with their releases on Last Night From Glasgow receiving praise far and wide. This is ‘Old Bear’ taken from their BBC Music Introducing Session in November, and it highlights what a fine live band they are as well as on record. Expect an album soon:

And finally, this year Ali was asked on to Sunny Govan Radio by Disco Dale to take part in his ‘Well Kent Faces’ show, where he had to nominate three songs which reminded him of Glasgow in some way. If you missed it I won’t tell you what they were yet as it will be available online in the new year, but here’s one he definitely missed:

And that was 2018. We’ve no idea how 2019 is going to pan out (who could?), but whatever happens we’ll be there reviewing, commenting, and in conversation with some of those who are going to shape it.

From everyone involved with Scots Whay Hae!, Happy New Year and we’ll see you on the other side…

Not Waving But Drowning: A Review Of Christina Neuwirth’s Amphibian…

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The workplace has long been a rich source of material for writers. A publishing house in Muriel Spark’s A Far Cry From Kensington, the bus depot in James Kelman’s The Busconductor Hines, a Post Office in Charles Bukowski’s novel of the same name, or even George Orwell’s Animal Farm – they are all used to reflect the society and politics of the time.  However, the everyday drudgery of modern office life is rarely portrayed in literature, perhaps for the very reason that it is seen as a place where the dramatic is often hard to find.

Christina Neuwirth understands this and subverts it brilliantly with her novella Amphibian. It is the perfect parable for our times, with themes of corporate control, individual apathy and uncertainty, and a general dissatisfaction with modern living, told with wry humour and a gentle surrealism that doesn’t intrude but only enhances the story.  Not so much magical realism, more a commentary on capitalism in a modernist style. If Kafka had worked for an Edinburgh finance company this is the book he would have written. Continue reading

That Was The Year That Was: It’s The Best Of 2018 Podcasts – Part 1 (Books)…

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For our Review of the year in Scottish writing and all things bookish Ali was once again joined by Booky Vikki herself, Publishing Scotland’s Vikki Reilly, to discuss their favourite books of the year and the state of Scottish writing and publishing. While doing so they try to identify the themes and trends of the last 12 months, look into what’s coming in the new year, forget the names of things (mostly Ali, to be fair), talk music, “Mayhem”, and explain why 2018 belonged to Muriel. It was quite the year and hopefully we go some way to summing it up and rounding it off for you.

The podcast is the perfect companion piece to our earlier post ‘The Good Word: Scots Whay Hae!’s 10 Best Books Of 2018 (+1)…’ (see right), where you’ll be able to link to reviews of many of the books and writers that Vikki and Ali discuss. There’s a lot of love for writers and publishers alike, and although we didn’t manage to cover it all, we hope you’ll find something to pique your interest. Continue reading