*You can listen to P.K. Lynch talking about Armadillos on the Scots Whay Hae! Podcast by clicking here…
In our recent podcast with novelist Iain Maloney we spoke about a writer’s responsibility when tackling certain subjects. In Maloney’s case, his novel The Waves Burn Bright deals with events surrounding the Piper Alpha North Sea Oil Platform tragedy, and he talked about the importance of making sure his research was thorough and his prose unsensational so as to avoid any possible accusations of exploitation or disrespect.
It’s something that James Robertson and Kirstin Innes have also spoken to us about with reference to their novels The Professor Of Truth and Fishnet, books which examine the Lockerbie bombing and the sex industry respectively. Writers have a responsibility to their subject as well as their readers, and with some subjects that responsibility should be taken very seriously indeed. It’s a difficult balancing act to pull off, to tell an engaging story while respecting those who you are wishing to draw attention to, but when a writer gets it right it can be far more affecting than any mere reportage or documentary.
Armadillos is the story of 15-year-old Texan Aggie, who is described as “a ‘sub’ from a ‘sub’ family”, which means she is at the bottom of a food chain where food is scarce to begin with. Literary theorist Antonio Gramsci used the term ‘subaltern’ to refer to those who belonged to groups of people denied power and wealth by the ruling classes. They are those who struggle to have their voices heard, so often cease trying. If you are considered a ‘sub’ within such a group, then in common parlance you are viewed within, and often without, that group as the ‘lowest of the low’. Continue reading
To say we live in strange times is understatement veering towards sarcasm. I don’t wish to appear trite, but in the worst of times, for whatever reasons they may be, music in particular brings me comfort like nothing else can.
Feeling down? Listen to Smokey sing, Johnny play guitar, or Dylan do anything. It never fails me, and it hasn’t this time round. With that in mind, putting together this roundup of the best in new music from the last month has not simply been a pleasure but seriously uplifting. In short – I needed that.
First off, we have what I consider the pop song of the summer. Ette’s album Homemade Lemonade is out on the 22 July – and you really should get your order in now. But you don’t need to take my word for it as listening to ‘The Attack of the Glam Soul Cheerleaders (Parts 1 & 2)‘ will persuade you within the first 10 seconds. This is pop music at its very best, from the opening handclaps and keys, through the guitar riff which drives things alongside Carla J. Easton’s perfect bubblegum vocals, to the false ending and joyous wig-out which follows. It’s a reminder that the best pop music does not need a big production – it can spring from anyone and anywhere when the inspiration strikes. If Phil Spector had lived round our way, this is the sort of wall of sound he’d be making:
Ette headlined the Olive Grove Records Review at Oran Mor last month, which is one of the gigs of the year so far. No real surprise as it also featured Call To Mind, The Moth and The Mirror (and what a set that was) and the debut of The Royal Male, the solo venture from Woodenbox’s Ali Downer. The Royal Male’s album is Plastic Throne and the single is ‘Start When It’s Over’. Both have a wonderful mix of eclectic piano, understated horns, and a liberal sprinkling of whip-smart melodies reminiscent of Neil Hannon and Ben Folds. Having heard the whole album I can confirm it’s an absolute joy. The single alone brings a smile to my face every time I play it, which has been a lot. What say you?: